重复版本的故事“有两个半便士的小钱包”,由Ion creangei。苏联和后苏联时期摩尔多瓦图书图形艺术价值的演变

Victoria Rocaciuc
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引用次数: 0

摘要

由Ion Creanga签名的故事“有两个半便士的小钱包”在许多国家反复出现,是最著名的故事之一。对文学主体的分析和演变的历史具有特殊的意义,值得更广泛的研究。同样令人好奇的是,比较不同的塑料方法来讨论这个故事的主题。在苏联和后苏联时期的摩尔多瓦,本书由著名的平面艺术家如Leonid Grigorașenco、Ilia Bogdesco、licei Sainciuc、Igor Vieru、Filimon h muraru、Andrei Ţurcanu、Anatoli Smîșleaev、Alexei colbneac、Simion Zamsa、Elena Karacențev、Sergiu (Serghei) Samsonov等艺术家为这一艺术领域做出了卓越的贡献。每本书的平面设计师都创造了解释插图主题的独特变体,接近各种艺术技巧和手段,构图和风格原则等。通过研究他们,我们有机会比较这些作者的创作。因此,我们有机会思考当前版本与以前版本的审美价值。
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Repeated editions of the tale „Th e little purse with two half-pennies” by Ion Creangă. The evolution of artistic values in Moldovan book graphics in the Soviet and post-Soviet period
Th e tale „Th e little purse with two half-pennies” signed by Ion Creanga appeared in repeated editions in various countries and is one of the best known. Th e analysis and the history of the evolution of the literary subject are of special interest and deserve more extensive research. It is equally curious to compare various plastic approaches to the topics of the tale. In Soviet and post-Soviet Moldova, the book was illustrated by famous graphic artists such as Leonid Grigorașenco, Ilia Bogdesco, Lică Sainciuc, Igor Vieru, Filimon Hămuraru, Andrei Ţurcanu, Anatoli Smîșleaev, Alexei Colîbneac, Simion Zamsa, Elena Karacențev, Sergiu (Serghei) Samsonov and other artists, who have made a remarkable contribution to this fi eld of art. Each book graphic designer has created unique variants of interpreting the illustrated subjects, approaching various artistic techniques and means, compositional and stylistic principles, etc. By studying them, we have the opportunity to compare the creation of these authors. Th us, we have the occasion to meditate on the aesthetic values of current editions compared to previous ones.
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