墨西哥城的“华人”和“华人区”:克里斯蒂娜·里维拉·加尔萨《绿色上海》(2011)中的陌生感与社区

María Montt Strabucchi
{"title":"墨西哥城的“华人”和“华人区”:克里斯蒂娜·里维拉·加尔萨《绿色上海》(2011)中的陌生感与社区","authors":"María Montt Strabucchi","doi":"10.5749/VERGSTUDGLOBASIA.3.2.0144","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores the barrio chino (Chinatown) as a space from which to analyze the perception of China in Mexico through Cristina Rivera Garza's novel Verde Shanghai (2011). Building on Jean-Luc Nancy's “being singular plural” and Sara Ahmed's notion of “strange encounters,” and using Graham Huggan's notions on how the “exotic” can be put into play, this article argues that the Chinatown depicted in the novel lays bare the refusal of boundaries and challenges fixed identities. Embracing ambiguity, the novel opens up the meaning of a mestizo Mexico, and the Chinatown becomes a constitutive part of the cityscape of Mexico City. The novel thus challenges discourses of national homogeneity, informing our understanding of alterity and community.","PeriodicalId":263014,"journal":{"name":"Verge: Studies in Global Asias","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Mexico City's “Chinos” and “Barrio Chino”: Strangerness and Community in Cristina Rivera Garza's Verde Shanghai (2011)\",\"authors\":\"María Montt Strabucchi\",\"doi\":\"10.5749/VERGSTUDGLOBASIA.3.2.0144\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores the barrio chino (Chinatown) as a space from which to analyze the perception of China in Mexico through Cristina Rivera Garza's novel Verde Shanghai (2011). Building on Jean-Luc Nancy's “being singular plural” and Sara Ahmed's notion of “strange encounters,” and using Graham Huggan's notions on how the “exotic” can be put into play, this article argues that the Chinatown depicted in the novel lays bare the refusal of boundaries and challenges fixed identities. Embracing ambiguity, the novel opens up the meaning of a mestizo Mexico, and the Chinatown becomes a constitutive part of the cityscape of Mexico City. The novel thus challenges discourses of national homogeneity, informing our understanding of alterity and community.\",\"PeriodicalId\":263014,\"journal\":{\"name\":\"Verge: Studies in Global Asias\",\"volume\":\"33 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Verge: Studies in Global Asias\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5749/VERGSTUDGLOBASIA.3.2.0144\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Verge: Studies in Global Asias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5749/VERGSTUDGLOBASIA.3.2.0144","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

摘要:本文通过克里斯蒂娜·里维拉·加尔萨的小说《绿色上海》(2011),以中国城为空间,分析墨西哥人对中国的认知。本文以Jean-Luc Nancy的“单数复数”和Sara Ahmed的“奇怪相遇”概念为基础,并运用Graham Huggan关于如何发挥“异国情调”的概念,认为小说中描绘的唐人街揭示了对边界的拒绝和对固定身份的挑战。小说拥抱了模糊性,揭示了墨西哥混血儿的意义,唐人街成为墨西哥城城市景观的组成部分。因此,小说挑战了民族同质性的话语,告知我们对另类和社区的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Mexico City's “Chinos” and “Barrio Chino”: Strangerness and Community in Cristina Rivera Garza's Verde Shanghai (2011)
Abstract:This article explores the barrio chino (Chinatown) as a space from which to analyze the perception of China in Mexico through Cristina Rivera Garza's novel Verde Shanghai (2011). Building on Jean-Luc Nancy's “being singular plural” and Sara Ahmed's notion of “strange encounters,” and using Graham Huggan's notions on how the “exotic” can be put into play, this article argues that the Chinatown depicted in the novel lays bare the refusal of boundaries and challenges fixed identities. Embracing ambiguity, the novel opens up the meaning of a mestizo Mexico, and the Chinatown becomes a constitutive part of the cityscape of Mexico City. The novel thus challenges discourses of national homogeneity, informing our understanding of alterity and community.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
期刊最新文献
On the Economies of Brown Salvation: Impoverishment, Assimilationist Imaginaries, and Dominant-Caste Capture The Possibilities and Limits of Brown/ness(es) Indenture, Iteration: Race and the Aesthetics of Contract Labor Making Brown/ness(es): Aesthetics in the Everyday Feeling Brown, Thinking Black: Translating the Black Panther from Lowndes to Bombay
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1