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The Brown Adventure Romance: Chander Pahar and the Management of Racial Capital 棕色冒险浪漫史钱德-帕哈与种族资本管理
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922359
Oishani Sengupta
Abstract: Can the archetypal imperial adventurer—the hero of empire's interlinked fictions of discovery and conquest—be brown? This question finds expression in a genre of Bengali literature yet to receive significant scholarly attention. Rather than viewing these novels as a case of Bengal "writing back" to the British genre of the imperial romance, I read them as enquiries into the turbulent shifts of race, migration, and fractured self-fashioning in the age of decolonization. Through a closer look at Bibhutibhushan Bandyopadhyay's Chander Pahar or The Mountain of the Moon (1937), the essay demonstrates how traces of indentureship and coolie labor as abject and elided forms of brown/ness fracture both the category of the brown expeditioner and its effect on the stereotypes of the dark continent.
摘要:帝国冒险家的原型--帝国相互关联的发现和征服虚构中的英雄--可以是棕色的吗?这个问题在孟加拉文学中的一个流派中得到了体现,但该流派尚未得到学术界的重视。我没有将这些小说视为孟加拉 "写回 "英国帝国浪漫主义体裁的案例,而是将它们解读为对非殖民化时代种族、移民和支离破碎的自我塑造等动荡变化的探究。通过仔细研究比布提布胡山-班迪奥帕德耶的《钱德尔-帕哈尔或月亮山》(1937 年),这篇文章展示了契约和苦力作为卑微和被忽略的棕色/身份形式的痕迹如何破坏了棕色远征者的类别及其对黑暗大陆刻板印象的影响。
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引用次数: 0
Making Brown/ness(es): Aesthetics in the Everyday 制作棕色/尼斯(es):日常美学
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922357
N. Minai, Vanita Reddy, Marissa C. de Baca, Aaisha Salman, Xine Yao, Mira Al Hussein
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引用次数: 0
The Infrastructural Embodiments of Laleh Khalili's Sinews of War and Trade 拉莱赫-哈利利《战争与贸易之线》的基础设施体现
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922358
Neelofer Qadir, Kelvin Ng, Sabine Mohamed, Sritama Chatterjee, Johan Mathew
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引用次数: 0
The Possibilities and Limits of Brown/ness(es) 棕色的可能性与局限性
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922355
N. Minai, Neelofer Qadir, Tina Chen
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引用次数: 0
On the Economies of Brown Salvation: Impoverishment, Assimilationist Imaginaries, and Dominant-Caste Capture 论棕色救赎经济:贫困化、同化意象和主流种姓的俘获
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922361
Arjun Shankar
Abstract: This essay tackles the ontological distinctiveness of brown/ness by locating it within the (neo)colonially emplaced "economies of salvation." Although it is an underacknowledged aspect of the coloniality of power, colonial racial capitalism actually required an economy of salvation that demarcated racialized and gendered difference and hierarchy along the savior–saved binary. The essay elaborates on three ways that the economies of salvation structure the multivalent racial politics of brown/ness for dominant-caste Indians, both on the subcontinent and in its diaspora: (1) as impoverishment, (2) as assimilability, and (3) as (caste) capture. The "as" evinces the degree to which these three dimensions constitute the ontopoetic state that is brown/ness, producing some of its multivalent and contradictory affective intimacies.
摘要:这篇文章通过将棕色/性定位在(新)殖民地安置的 "救赎经济 "中,探讨了棕色/性在本体论上的独特性。殖民主义种族资本主义实际上需要一种救赎经济,按照救世主与被救赎者的二元对立划分种族化和性别化的差异与等级,尽管这是权力殖民性的一个未被充分认识的方面。文章从三个方面阐述了救赎经济对印度次大陆及其散居地占统治地位的种姓印度人的棕色/身份的多重种族政治结构:(1) 作为贫困化,(2) 作为同化,(3) 作为(种姓)俘虏。as "表明了这三个维度在多大程度上构成了棕色/性的顶层诗学状态,产生了一些多义性和矛盾性的情感亲密关系。
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引用次数: 0
Indenture, Iteration: Race and the Aesthetics of Contract Labor 契约,迭代:种族与合同工美学
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922356
Najnin Islam, Kaneesha Cherelle Parsard, Neelofer Qadir
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引用次数: 0
What Is a Hakka?: Tracing the Development of Hakka Ethnic Identity in Jamaica 什么是客家人?追溯牙买加客家人族群认同的发展历程
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922360
Jordan Lynton Cox
Abstract: Weaving together literature from postcolonial, cultural, and anthropological studies, this essay traces the historical reethnicization of "Hakka" across nation-states from the nineteenth century to the present as a reflection of the savvy techniques that Afro-Asian communities use to navigate conflicting racial ideologies throughout the African and Asian diasporas and beyond. It argues that "Hakka" serves not only as an ethnic identifier for groups in southern China and Taiwan (primarily) but also as a flexible signifier that is used by Chinese Jamaicans to navigate and resist state-based racial technologies throughout multiple countries and time periods.
摘要:这篇文章将后殖民、文化和人类学研究的文献交织在一起,追溯了从十九世纪至今 "客家 "在不同民族国家的历史性再族裔化,反映了亚非族群在非洲和亚洲散居地及其他地区用来驾驭相互冲突的种族意识形态的精明技巧。本研究认为,"客家 "不仅是中国南方和台湾(主要是中国台湾)群体的种族标识,也是牙买加华人在多个国家和多个时期用来驾驭和抵制基于国家的种族技术的灵活符号。
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引用次数: 0
Feeling Brown, Thinking Black: Translating the Black Panther from Lowndes to Bombay 感受棕色,思考黑色:从洛恩德斯到孟买的黑豹翻译
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922362
Soumya Rachel Shailendra
Abstract: The archive of exchanges between Dalit and Black intellectuals exhibits the significance of imagining and translating minoritarian relations in the late twentieth century. The formation of the Dalit Panthers—an anticaste organization that declared its affiliation to the Black Panther Party in 1973—presents one such translational moment, revealing the affective power of brown/ness in consolidating minoritarian worlds that are concomitantly conceived in their opposition to coloniality, caste, and white supremacy. I trace the evolution of the Panthers' relationship through the journey of its iconography, from its initial sketching in Lowndes to its circulation in Marathi little magazines in the 1970s and its reappearance in Rahee Punyashloka's print series The Panthers Is an Elusive Beast (2021).
摘要:达利特人和黑人知识分子之间的交流档案展示了 20 世纪末想象和翻译少数派关系的意义。达利特人黑豹党是一个反种姓组织,1973 年宣布加入黑豹党。黑豹党的成立就是这样一个转化时刻,它揭示了棕色/性在巩固少数世界中的情感力量,而这些世界是在反对殖民主义、种姓和白人至上主义的同时构想出来的。我通过 "粉豹 "图标的发展历程,追溯了 "粉豹 "关系的演变,从最初在洛恩德斯(Lowndes)绘制的草图,到 20 世纪 70 年代在马拉地语小杂志上的流传,以及在拉希-普尼亚什洛卡(Rahee Punyashloka)的印刷系列《粉豹是一种难以捉摸的野兽》(2021 年)中的再次出现。
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引用次数: 0
Brownness and the Ontology of Analogy 棕色与类比本体论
Pub Date : 2024-03-01 DOI: 10.1353/vrg.2024.a922363
Sumita Chakraborty
Abstract: This article theorizes the concept of "compulsory analogy" as a reiterated, compelled speech act that fundamentally structures Brown ontology within white supremacy. The author contends that white interpellation forces Brown subjects to define themselves via similitude to position Brown/ness both as whiteness's subordinate and as whiteness's ally in perpetuating anti-Blackness. Subsequently, the essay pivots to considering the function of literary analogies in the work of the contemporary South Asian poet Kazim Ali, suggesting that it offers a model for an analogical logic that vehemently rejects compulsory analogy in favor of a Brown relationality that confounds white inscription and is predicated on antiracist alliances between Brown and Black subjects.
摘要:本文对 "强制类比 "概念进行了理论化,将其视为一种反复出现的强制言语行为,从根本上构建了白人至上主义中的布朗本体论。作者认为,白人的互称迫使布朗主体通过类比来定义自己,从而将布朗/性定位为白人的附属品和白人的盟友,以延续反黑人性。随后,文章转而思考文学类比在当代南亚诗人卡齐姆-阿里(Kazim Ali)作品中的作用,认为这为类比逻辑提供了一种模式,这种模式坚决反对强制性类比,而倾向于一种布朗关系性,这种关系性混淆了白人的插足,并以布朗主体与黑人主体之间的反种族主义联盟为前提。
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引用次数: 0
Kitchens of Dejima: Japanese Cookery and Dutch Sovereignty in Nineteenth-Century Miniatures Dejima厨房:19世纪微缩画中的日本烹饪和荷兰主权
Pub Date : 2023-07-28 DOI: 10.1353/vrg.2023.a903024
Joshua Schlachet
Abstract:Through an object-oriented history of Japanese foodways on the move, this article explores how a miniature kitchen diorama collected by Jan Cock Blomhoff in Nagasaki in the 1820s situated Japan within the Netherlands’ narrative of post-Napoleonic national sovereignty. Blomhoff’s kitchen blended a display of Japanese culinary craftsmanship—its tools, vessels, and utensils procured from Japanese artisans—with classical Dutch dollhouse design that evoked Golden Age domestic prosperity, a microcosm of a properly functioning state. Everyday life objects like Blomhoff’s kitchen became powerful symbols for continuity throughout the Netherlands’ era of national dissolution. Despite limited mobility outside Japan during the early modern period, representation of cooking and domestic life through miniaturized kitchen accouterments produced an insistent presence of Japanese foodways in the European imagination.
摘要:本文通过一个面向对象的日本饮食方式的历史,探讨了19世纪20年代由Jan Cock Blomhoff在长崎收集的一个微型厨房立体模型如何将日本置于荷兰后拿破仑国家主权的叙述中。布洛姆霍夫的厨房融合了日本烹饪工艺的展示——从日本工匠那里采购的工具、器皿和器具——与古典的荷兰玩具屋设计相结合,唤起了黄金时代的国内繁荣,这是一个正常运作国家的缩影。像布洛姆霍夫的厨房这样的日常生活用品,在荷兰国家解体的时代成为了连续性的有力象征。尽管在近代早期,日本人在日本境外的流动性有限,但通过小型化的厨房设备来表现烹饪和家庭生活,在欧洲人的想象中,日本饮食方式一直存在。
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引用次数: 0
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Verge: Studies in Global Asias
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