汉语情境教学中“戏剧”的文化传播与融合研究

Xia Nan
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引用次数: 0

摘要

戏剧作为综合艺术中集众多艺术元素于一体的门类,具有很强的教学和传播能力,而“情境”是戏剧中最具特色的艺术元素之一。它不仅为它所走的地方提供了一个看不见的“场域”,而且可以将面对这门艺术的观众或其他群体带入其中,让这些群体在这个看不见的“场域”中感受到戏剧的魅力和启蒙。戏剧不只是在剧场里表演,它可以在任何环境中表演。格洛托夫斯基把戏剧还原到最本质的状态,把“演员”和“观众”作为戏剧最基本的条件,称之为“朴素戏剧”。根据他的理念,戏剧可以在任何地方上演,教室也不例外。文化传播是从一个群体到另一个群体的互动过程。它的传播与戏剧非常相似。戏剧以“情境”为载体,潜移默化地传播给每一个面对它的人。本文以课堂作为戏剧传播的场所,课堂作为“剧场”,学生作为“观众和演员”,教师通过学习汉字参与其中为例,让学生在情景课堂中以戏剧教育的方式学习汉字。
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Research on Cultural Communication and Integration of “Drama” in Chinese Situational Teaching
Drama, as a category that integrates many artistic elements in comprehensive art, has strong teaching and dissemination, and "situation" is one of the most characteristic artistic elements in drama. It not only provides an invisible "field" for wherever it goes, but also can put the audience or other groups facing this art into it, so that the groups can feel the charm and Enlightenment of drama in this invisible "field". Drama is not only performed in the theater, but can be performed in any environment. Glotovsky returns the drama to its most essential state and takes "actor" and "audience" as the most basic conditions of drama, which is called "plain drama". According to his concept, drama can be performed anywhere, and the classroom is no exception. Cultural communication is an interactive process from one group to another. Its diffusion is very similar to drama. Drama takes "situation" as the carrier and imperceptibly spreads to everyone facing it. This paper takes the classroom as the venue for the diffusion of drama, the classroom as the "theater", the students as the "audience and actors", and the teachers participate in it through the learning of Chinese characters as an example, Let the students learn Chinese characters in the way of drama education in the situational classroom.
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