20世纪90年代《俄罗斯计划》杂志建筑评论话语中的“苏联现代主义”形象

Vadim Danilov
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摘要

在20世纪90年代,一种新的建筑批评诞生了,与之前苏联的例子截然不同。从狭隘的专业类型,建筑批评转向新闻,结合建筑作品的艺术解释和作者的社会政治观点,将建筑置于更广泛的文化背景中,继承革命前时期的实践。“俄罗斯计划”杂志是新后苏联批评的最具代表性的例子之一。在20世纪90年代发表在该杂志上的许多文章中,以前的建筑时代在不同的背景下得到了体现,通常是以特定的消极方式。本文表明,20世纪60年代至80年代苏联现代主义的特殊形象是后苏联建筑批评新话语认同的关键组成部分之一,这是在大规模社会文化和政治变革的背景下形成的。
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THE IMAGE OF “SOVIET MODERNISM” IN THE ARCHITECTURAL CRITICAL DISCOURSE OF “PROJECT RUSSIA” MAGAZINE IN THE 1990S
In the 1990s, a new architectural criticism was born, strikingly different from the previous Soviet examples. From the narrowly professional genre, architectural criticism turns back into journalism, combining the artistic interpretation of architectural works and the socio-political views of the authors, placing architecture in broader cultural contexts, inheriting the practices of the pre-revolutionary period. One of the most representative examples of the new post-Soviet criticism is the “Project Russia” journal. In many articles published in this journal in the 1990s the previous architectural era is represented in different contexts, usually in specific negative ways. This article demonstrates that the particular image of Soviet modernism in the 1960s - 1980s is one of the key components of the new discursive identity of post-Soviet architectural criticism, which is being formed against the backdrop of large-scale socio-cultural and political changes.
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