电影《桑凯》

Erni Zuliana
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Such is the case, the tendency of citizens that Indonesia is more loved by the people of the West,dressing style that follows the culture of people of the West,so this leads to a lack of respectcopyright, the initiative of the Indonesian nation.Another unique phenomenon is when a writer tries to analyze many among small children who haven't cultivated an attitude of nationalism or patriotismby their parents this is evident from the songs the children sing a lot of them sing songs welcoming love of the opposite sexeven more deadly many of them don't know the national anthem of the Republic of Indonesia.The author tried to examine this film in the perspective of semiotics Roland Barthes.According to Roland Barthes there are three meanings in the study of semiotics are denotation, connotation and mitos. By formulating a problem formulation is; How can the representation of Islamic Nationalism signs nusantara which is contained in the film \"Sang Kyai\". 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引用次数: 0

摘要

电影《桑开》分析(伊斯兰民族主义努桑塔拉透视符号学罗兰·巴特)。其中一个基本的问题,潜藏在作者采取这项研究,因为只要它已经开始磨损印尼公民民族主义立场。情况就是这样,公民的倾向是印尼更受西方人民的喜爱,穿着风格遵循西方人民的文化,所以这导致缺乏尊重,印尼民族的主动性。另一个独特的现象是,当一位作家试图分析许多没有被父母培养出民族主义或爱国主义态度的小孩时,这从孩子们唱的歌中可以明显看出,很多孩子唱的歌欢迎异性的爱,甚至更致命的是,许多孩子不知道印度尼西亚共和国的国歌。笔者试图从符号学的角度来审视这部电影。罗兰·巴特认为符号学研究有三个意义,即外延、内涵和内在。通过表述一个问题,表述是;伊斯兰民族主义的表现如何在电影《桑开伊》中体现出来?本研究采用定性研究方法,使用类型方法图KH Hasyim Ash'ari作为Nahdhatul Ulama (NU)的驱动力和第一个小屋tebureng Jombang的创始人。在本研究中,作者运用符号学的分析方法,对符号学理论中的符号进行了考察。本研究中的研究是语言学的研究,语言是一个系统的声音仲裁者的盾形纹章,由一个社区的成员用来共同工作,互动和识别。而与符号科学相关的研究以及在语言研究中非常有用的符号,因为通过符号一切都可以被解释。对于本研究的结果表明,罗兰·巴特的符号学视角下的电影《桑开依》中的伊斯兰民族主义可以分为三个方面:(1)维护国家的统一和统一,这在语料库1、2和3中有描述;(2)修罗(协商),这在语料库4、5和6中有阐述;(3)为正义而战,这在语料库7和8中有描述。
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Film “sang kyai”
  Analysis ofFilm "Sang Kyai" (Islamic Nationalism Nusantara Perspective Semiotics Roland Barthes).One of the fundamental problems underlying the author's take on this study, becauseas long as it has begun to wear off Indonesia citizen nationalism stance. Such is the case, the tendency of citizens that Indonesia is more loved by the people of the West,dressing style that follows the culture of people of the West,so this leads to a lack of respectcopyright, the initiative of the Indonesian nation.Another unique phenomenon is when a writer tries to analyze many among small children who haven't cultivated an attitude of nationalism or patriotismby their parents this is evident from the songs the children sing a lot of them sing songs welcoming love of the opposite sexeven more deadly many of them don't know the national anthem of the Republic of Indonesia.The author tried to examine this film in the perspective of semiotics Roland Barthes.According to Roland Barthes there are three meanings in the study of semiotics are denotation, connotation and mitos. By formulating a problem formulation is; How can the representation of Islamic Nationalism signs nusantara which is contained in the film "Sang Kyai". This research uses qualitative research using type approach figure KH Hasyim Ash'ari as the driving force of Nahdhatul Ulama (NU) and the founder of the first cottage Tebuireng Jombang. In this study the author uses the analysis of semiotics Roland Barthes, a theory of semiotics examines about signs. The study in this research is the study of linguistic,language is a system of sound arbitrer coat of arms,used by members of a community to work together,interact, and identifyWhile the studies related to the science of signs as well as very useful once semiotik in studies of languagebecause with through signs everything can be interpreted.As for the results of this study indicate that Islamic Nationalism in the movie "Sang Kyai" perspective of semiotics Roland Barthes can be categorized into three are;(1) maintaining the unity and the unity of the country that is described in the corpus of 1, 2 and 3, (2)Cultivating Shura (consultation), which elaborated on the bodies of 4, 5 and 6,(3) the fight for Justice that is described in the corpus 7 and 8.
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