达文南特的数字国家

Katarzyna Lecky
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引用次数: 0

摘要

第四章首先将达文南的第一本获奖诗集《马达加斯加》(1638年)与1620年代和1630年代流行的袖珍地图集进行对比,论证诗人想象中的“数字”地图将地理精确与社会改善联系起来。正如他在《论冈迪伯特》(他对诗歌的西德式辩护)中所说的那样,达文南特认为,诗歌的数字结构可以与一个由其组成部分的计算能力所定义的广泛的公共领域对话,当时数字正成为衡量不断变化的英国景观的主要语言。达文南的保皇派形象在他的《奥古斯塔》(1648年)中重新出现,他把伦敦描绘成“皇家城市”。他将君主特权重新映射到国家地形上的工作,对十七世纪中期英国流行文化中普遍存在的小格式地图学的地理想象构成了蓄意挑战。
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Davenant’s Numerical Nationhood
Chapter 4 begins by placing Davenant’s first laureate chapbook Madagascar (1638) into conversation with the popular pocket atlases of the 1620s and 1630s to argue that the poet’s imagistic “Numbers” map links between geographical precision and societal betterment. As he argues in his Discourse on Gondibert (his Sidneian defense of poesy), Davenant believed that the numerical structure of poetry could speak to a broad public sphere defined by its constituents’ numeracy, at a time when numbers were emerging as a prime language for measuring the shifting British landscape. Davenant’s royalist carto-poiesis reemerges in his chart of London as the “Royall city” in King Charles his Augusta (1648) on the eve of the regicide. His work to remap monarchical prerogative onto the national topography constituted a deliberate challenge to the geographic imaginary of the small-format cartography which pervaded the popular culture of mid-seventeenth-century Britain.
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