《清帝国蒙古人实录》碑中的乐器名称

E. V. Sundueva
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摘要

1636年,满洲总督洪太极为纪念他被封为“仁和博格都汗”而举行的节日仪式,在《关于其护卫的属性的诏书》中,作者考虑了乐器的名称。该法令被记载在2013年在呼和浩托(中华人民共和国内蒙古)出版的《古典蒙古语》上的“清帝国蒙古人的真实记录”的文字纪念物中。作者的结论是,大多数乐器的提名都是根据它们发出的声音的声学感知来进行的。首次提出了bi kig(笛)一词的词源,这个词源来自于现在已经不存在的动词* bi -“吹口哨”。这样,在蒙古语言中,既有与真实声音相关的“透明拟声词”,也有与表意词失去联系的模仿词,只允许词源重建。蒙古语复词依存成分的语义分析表明,对对象的具象知觉在命名过程中起主要作用。从复合词的角度来看,17世纪蒙汉乐器的命名机制大体相似。表意词的描述使揭示语言本质的符号学、心理生理学和语言学基础成为可能。
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Names of musical instruments in the Monument “Truthful Record about the Mongols of the Qing Empire”
The author considers the names of musical instruments presented in the decree on attributes of an escort of the Manchurian governor Hung Taiji for the festive ceremony held in honor of granting him the title ‘Gracious Peaceful Bogdo-Khan’ in 1636. The decree is presented in the written monument “Truthful record about Mongols of the Qing Empire” published in Classic Mongolian in 2013 in Huhe-Hoto (Inner Mongolia, People’s Republic of China). The author concludes that nominations of most of musical instruments took place on the basis of the acoustic perception of the sound they produced. For the first time the etymology of the word bičkigür ‘flute’ from the now-defunct verb *bičgi- ‘to whistle’ is proposed. In this way, in the Mongolic languages there are both ‘transparent onomatopoeias’ associated with some real sounds and imitations that lost their connection with the ideophonic words and allow only etymological reconstructions. The analyzing of semantics of dependent components of Mongolian complex words indicates that figurative perception of objects plays the main role during the nomination process. Consideration of complex words shows a generally similar mechanism of nomination of musical instruments in Mongolian and Chinese of the 17 th century. The description of the ideophonic words made it possible to expose semiotic, psychophysiological and linguistic foundations of the essence of language.
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