东方刺激物与西方抱负者:赫斯特杂志中的移民形象,1905-1945

Bryan E. Denham
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摘要

1887年,威廉·伦道夫·赫斯特成为《旧金山观察家报》的编辑和老板,到1935年,他已经建立了一个由近30家主要报纸、13家杂志、8家广播电台、3家新闻通讯社和2家电影公司组成的媒体帝国。大多数关于赫斯特的学术研究都集中在他的报纸上;他在20世纪早期获得的杂志研究较少。本专题研究了赫斯特在1905年至1945年间出版的杂志中对移民的描述,重点研究了杂志小说、非小说和“事实小说”文章如何将移民和移民作为社会和政治问题来呈现。和赫斯特本人一样,这些出版物也倾向于支持来自德国和北欧斯堪的纳维亚国家的移民,而倾向于不喜欢来自中国和日本的移民,墨西哥的移民在较小程度上也不受欢迎。根据这些杂志的说法,来自远东和墨西哥的移民是“不受欢迎的”,他们据称通过进口、销售和使用危险药物威胁社会。报纸广告、新闻文章和社论将这些形象扩展到更广泛的受众。赫斯特还将跨媒体推广应用于电影,作家将他杂志上的小说改编成电影剧本,为大都会制作公司(Cosmopolitan Productions)和米高梅(MGM)服务。这本专著包含了杂志内容和标志性封面如何影响当代电影和电视剧的例子。近年来,程式化的表现美化了生活方式,但也延续了可能导致反移民态度的文化刻板印象。
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Oriental Irritants and Occidental Aspirants: Immigrant Portrayals in Hearst Magazines, 1905–1945
William Randolph Hearst became editor and proprietor of the San Francisco Examiner in 1887, and by 1935, he had assembled a media empire consisting of nearly 30 major newspapers, 13 magazines, 8 radio stations, 3 news wires, and 2 motion picture companies. Most scholarship about Hearst has focused on his newspapers; less studied have been the magazines he acquired early in the 20th century. This monograph examines immigrant representations in Hearst magazines published between 1905 and 1945, focusing on how magazine fiction, nonfiction, and “fact-fiction” articles presented immigrants and immigration as social and political issues. Like Hearst himself, the publications favored immigrants from Germany and the Scandinavian countries of northern Europe and tended to disfavor those from China and Japan and, to a lesser extent, Mexico. According to the magazines, immigrants from the Far East and Mexico were “undesirables” who threatened society by, allegedly, importing, selling, and using hazardous drugs. Newspaper advertisements, news articles, and editorials extended these portrayals to wider audiences. Hearst also applied cross-media promotion to motion pictures, with writers converting fiction from his magazines into screenplays for Cosmopolitan Productions and MGM. The monograph contains examples of how magazine content and iconic covers have informed contemporary films and television series. In recent years, stylized representations have glamorized lifestyles but have also perpetuated cultural stereotypes that may contribute to anti-immigrant attitudes.
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