{"title":"在一切终结之前:增山田子与“另一个德山村”","authors":"M. Kohara, Y. Kai","doi":"10.1215/215820251_6-2-203","DOIUrl":null,"url":null,"abstract":"(Translators’ Note: This is a translation of a Japanese-language article published in Kohara Masashi and Nobe Hiroko, eds., Masuyama Tazuko: subete shashin ni naru hi made [Masuyama Tazuko: Until Everything Becomes a Photograph](Shizuoka: Izu Photo Museum, 2014), a book accompanying the exhibition of the same title, held at the Izu Photo Museum in Shizuoka, Japan from October 6, 2013 through July 27, 2014. The article was originally published in “photographers’ gallery press”, no. 7 (Tokyo: photographers’ gallery, 2008), and then revised and expanded for the 2014 book. Although the names of the author and translator are in Western order, Japanese names that appear in the article and the bibliography are in Japanese order, with the family name first.)","PeriodicalId":368524,"journal":{"name":"Trans Asia Photography","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Before the End of Everything: Masuyama Tazuko and “Another Tokuyama Village”\",\"authors\":\"M. Kohara, Y. Kai\",\"doi\":\"10.1215/215820251_6-2-203\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"(Translators’ Note: This is a translation of a Japanese-language article published in Kohara Masashi and Nobe Hiroko, eds., Masuyama Tazuko: subete shashin ni naru hi made [Masuyama Tazuko: Until Everything Becomes a Photograph](Shizuoka: Izu Photo Museum, 2014), a book accompanying the exhibition of the same title, held at the Izu Photo Museum in Shizuoka, Japan from October 6, 2013 through July 27, 2014. The article was originally published in “photographers’ gallery press”, no. 7 (Tokyo: photographers’ gallery, 2008), and then revised and expanded for the 2014 book. Although the names of the author and translator are in Western order, Japanese names that appear in the article and the bibliography are in Japanese order, with the family name first.)\",\"PeriodicalId\":368524,\"journal\":{\"name\":\"Trans Asia Photography\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Trans Asia Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/215820251_6-2-203\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Trans Asia Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/215820251_6-2-203","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
(译者注:这是一篇发表在Kohara Masashi和Nobe Hiroko编辑的日语文章的翻译。《Masuyama Tazuko: subbete shashin ni naru hi》制作了《Masuyama Tazuko:直到一切都成为照片》(静冈县:伊豆摄影博物馆,2014),这是一本与2013年10月6日至2014年7月27日在日本静冈县伊豆摄影博物馆举行的同名展览相伴随的书。这篇文章最初发表在“摄影家画廊出版社”,no。7(东京:摄影师画廊,2008年),然后为2014年的书进行了修订和扩充。虽然作者和译者的名字是按照西方的顺序排列的,但文章和参考书目中出现的日本人的名字是按照日本的顺序排列的,姓氏在前面。)
Before the End of Everything: Masuyama Tazuko and “Another Tokuyama Village”
(Translators’ Note: This is a translation of a Japanese-language article published in Kohara Masashi and Nobe Hiroko, eds., Masuyama Tazuko: subete shashin ni naru hi made [Masuyama Tazuko: Until Everything Becomes a Photograph](Shizuoka: Izu Photo Museum, 2014), a book accompanying the exhibition of the same title, held at the Izu Photo Museum in Shizuoka, Japan from October 6, 2013 through July 27, 2014. The article was originally published in “photographers’ gallery press”, no. 7 (Tokyo: photographers’ gallery, 2008), and then revised and expanded for the 2014 book. Although the names of the author and translator are in Western order, Japanese names that appear in the article and the bibliography are in Japanese order, with the family name first.)