{"title":"我们其他地方的音景","authors":"S. Alajaji","doi":"10.1163/26670038-12342755","DOIUrl":null,"url":null,"abstract":"\nIn this article, ethnomusicologist Sylvia Angelique Alajaji interviews electronic music composer, filmmaker, sound artist, and producer Lara Sarkissian on her career, artistic process, making music as an Armenian in diaspora, and the ways she uses music to bring into conversation the various (often quieted) presents of the diaspora with its many (often quieted) pasts, thus creating soundscapes of future possibility.","PeriodicalId":388620,"journal":{"name":"Journal of the Society for Armenian Studies","volume":"60 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Soundscapes of Our Elsewheres\",\"authors\":\"S. Alajaji\",\"doi\":\"10.1163/26670038-12342755\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nIn this article, ethnomusicologist Sylvia Angelique Alajaji interviews electronic music composer, filmmaker, sound artist, and producer Lara Sarkissian on her career, artistic process, making music as an Armenian in diaspora, and the ways she uses music to bring into conversation the various (often quieted) presents of the diaspora with its many (often quieted) pasts, thus creating soundscapes of future possibility.\",\"PeriodicalId\":388620,\"journal\":{\"name\":\"Journal of the Society for Armenian Studies\",\"volume\":\"60 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Society for Armenian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/26670038-12342755\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Society for Armenian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/26670038-12342755","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this article, ethnomusicologist Sylvia Angelique Alajaji interviews electronic music composer, filmmaker, sound artist, and producer Lara Sarkissian on her career, artistic process, making music as an Armenian in diaspora, and the ways she uses music to bring into conversation the various (often quieted) presents of the diaspora with its many (often quieted) pasts, thus creating soundscapes of future possibility.
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