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Nina G. Garsoïan (April 11, 1923–August 14, 2022) 尼娜-加索扬(1923 年 4 月 11 日-2022 年 8 月 14 日)
Pub Date : 2024-02-28 DOI: 10.1163/26670038-12342799
L. Avdoyan
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引用次数: 0
The Origin of the Khanate of Karabakh 卡拉巴赫汗国的起源
Pub Date : 2024-02-27 DOI: 10.1163/26670038-12342801
Artak Maghalyan
In the absence of the Armenian independent statehood, the Artsakh principalities (melikdoms) were the only force based on which, if possible, the Armenian state could revive. In general, the Artsakh principalities were free and sovereign, so long as the heart of the ruler of one of them was not captured with the sense of treachery. When in 1752 by the connivance of the governor Varanda Melik-Shahnazar II Panah Khan, the head of a tribe of nomadic Sarijallu, was firmed up in Artsakh, he and his son Ibrahim managed to significantly weaken the Armenian principalities. Inflicting great damage they could not change the situation in the province.With the establishment of the Russian dominion in Karabakh the khanate was abolished because of its administrative and political failure and the lack of significant support among the local population.
在亚美尼亚没有独立国家的情况下,阿尔扎赫公国(melikdoms)是唯一的力量,如果可能的话,亚美尼亚国家可以在此基础上复兴。一般来说,只要其中一个公国的统治者没有背信弃义之心,阿尔扎赫公国就是自由和主权的。1752 年,在总督瓦兰达-梅利克-沙赫纳扎尔二世(Varanda Melik-Shahnazar II)的纵容下,游牧民族萨里贾鲁部落的首领帕纳汗(Panah Khan)在阿尔扎赫站稳了脚跟,他和他的儿子易卜拉欣(Ibrahim)设法大大削弱了亚美尼亚各公国的实力。随着俄罗斯在卡拉巴赫建立统治,汗国由于行政和政治上的失败以及缺乏当地居民的大力支持而被废除。
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引用次数: 0
In Memoriam Richard G. Hovannisian (1932–2023) 悼念理查德-G-霍万尼西安(1932-2023)
Pub Date : 2024-02-16 DOI: 10.1163/26670038-12342800
Bedross Der Matossian
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引用次数: 0
ՎԵՆԵՏԻԿԵԱՆ ԼՈՒՍԱՄՈՒՏ ԱՌ Ի ՏԻԵԶԵՐԱԿԱՆ ՀԱՅՈՑ ԱՇԽԱՐՀ վենեՏԻկանլուսաՄՈՒՏ առ ի ՏԻեզերական հայոց աՇԽարհ
Pub Date : 2024-01-30 DOI: 10.1163/26670038-12342792
Աւետիս Հաճեան
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引用次数: 0
Everyday Cosmopolitanisms: Living the Silk Road in Medieval Armenia, written by Kate Franklin 日常世界主义:中世纪亚美尼亚的丝绸之路生活》,凯特-富兰克林撰写
Pub Date : 2024-01-26 DOI: 10.1163/26670038-12342797
Polina Ivanova, Maxime Durocher
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引用次数: 0
Saying Goodbye is Never Easy: Serge Avédikian’s Return to Sölöz 说再见从来都不容易:Serge av<s:1> dikian的回归Sölöz
Pub Date : 2023-06-19 DOI: 10.1163/26670038-12342793
Christopher Atamian
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引用次数: 0
Cartographies of Belonging: Reflections on Indigeneity and Autochthony 归属的地图学:对本土性和本土性的思考
Pub Date : 2023-06-02 DOI: 10.1163/26670038-12342796
Deanna Cachoian-Schanz
This creative nonfiction reflects upon the political utility of the terms “indigeneity” and “autochthony” to describe human (and non-human) groups as genealogically bound to or originally springing from singular geographies. What do these terms reinscribe, and what might attachments to them foreclose to the Armenian, and more broadly, to the collective human experience? This mix of text and image is a plea to move beyond an “autochthonous” logic that naturalizes the coupling of bodies to lands to account, instead, for a more just and capacious understanding of existence as by, through, and for the in/animate “other” across multiple geographies and timescapes.
这部创造性的非虚构作品反映了“土著”和“本土民族”这两个术语的政治效用,这些术语用来描述人类(和非人类)群体在谱系上与单一地理区域联系在一起,或者最初起源于单一地理区域。这些术语重新定义了什么,对它们的依恋可能剥夺了亚美尼亚人,更广泛地说,剥夺了人类集体经验的什么?这种文本和图像的混合是对超越“本土”逻辑的请求,这种逻辑将身体与土地的耦合自然化,相反,对于存在的更公正和更广泛的理解是通过,通过,以及跨越多个地理和时间的在/动画“他者”。
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引用次数: 0
«Փոթորիկ Կովկասում »։ Խմբագիր, Ռուսլան Պուխով։ Թարգմանող, Կարեն Հարությունյան։ Երևան, Հայաստան: Newmag, 2022
Pub Date : 2023-04-28 DOI: 10.1163/26670038-12342794
Arman Grigoryan
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引用次数: 0
The Scribe Narrates – The Art of Ara Oshagan 抄写员叙述- Ara Oshagan的艺术
Pub Date : 2023-04-17 DOI: 10.1163/26670038-12342791
Adriana Tchalian
Photographer and installation artist Ara Oshagan examines diaspora and displacement, in his solo exhibit, How the World Might Be (2022). Oshagan’s visual vernacular explores Armenian identity, especially as it relates to the subject of indigeneity. Taking his cue from contemporary art – a mix of disparate styles, genres, and media – Oshagan constructs a hybridized model of native Armenian identity, one that is an eclectic mix of peoples, places, and cultures. Consequently, he formulates a new genus of Armenian through his art, much the same way contemporary art mixes dissimilar elements to create a novel art form.
摄影师和装置艺术家Ara Oshagan在他的个展《世界可能是怎样的》(2022)中审视了散居和流离失所。Oshagan的视觉方言探索了亚美尼亚人的身份,特别是当它与土著主题相关时。Oshagan从当代艺术中获得灵感——混合了不同的风格、流派和媒体——构建了一个亚美尼亚本土身份的混合模型,这是一个民族、地方和文化的折衷混合。因此,他通过他的艺术塑造了一个新的亚美尼亚人,就像当代艺术将不同的元素混合在一起创造出一种新的艺术形式一样。
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引用次数: 0
Armenian Studies in Conversation with Critical Indigenous Studies and Settler Colonial Studies 亚美尼亚研究与批判性土著研究和定居者殖民研究的对话
Pub Date : 2023-04-14 DOI: 10.1163/26670038-12342790
Helen Makhdoumian
This article argues that Armenian Studies can learn from and contribute to the fields of critical Indigenous studies and settler colonial studies in generative ways, especially as those fields increasingly become global in scope. After surveying recent scholarly discourses in Armenian Studies, I illuminate pathways forward for interdisciplinary approaches to the study of indigeneity, colonization, genocide, removal, dispossession, biocultural assimilation, cultural heritage preservation, and memory work. I situate these potential possibilities and needed nuances within a larger discussion on the origins, aims, and current state of critical Indigenous studies and settler colonial studies, two interrelated but distinct modes of inquiry.
本文认为,亚美尼亚研究可以借鉴批判性原住民研究和移民殖民研究领域,并以创造性的方式做出贡献,尤其是在这些领域日益全球化的情况下。在调查了最近的学术话语在亚美尼亚研究,我照亮路径前进的跨学科方法的土著,殖民化,种族灭绝,搬迁,剥夺,生物文化同化,文化遗产保护和记忆工作的研究。我把这些潜在的可能性和需要的细微差别放在一个更大的讨论中,讨论关键的土著研究和定居者殖民研究的起源、目标和现状,这是两种相互关联但截然不同的研究模式。
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引用次数: 0
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Journal of the Society for Armenian Studies
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