索因卡之死与《国王的骑士》中的约鲁巴文化美学

Megbowon Funmilola Kemi, Uwah Chijioke
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摘要

文化和宗教是维持一个社会持续存在的两大支柱。然而,文化交叉的问题和殖民主义带来的文化冲击的负面影响导致了非洲社会各种形式的混乱。本文从文化的相关性出发,考察索因卡的《死亡与国王的骑士》中约鲁巴文化的美学。识别和阐明约鲁巴文化在当前社会状况中的重要性,是恢复、重建和宣传约鲁巴文化作为社会净化的灵丹妙药的基础。本研究以后殖民理论框架为基础,该框架解释了约鲁巴文化中固有的丰富价值观的令人不快的破坏。这项研究的结论是,有必要复兴约鲁巴人文化中最优秀和最进步的方面,以便在全球化时代挽回正在消失的价值体系。
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Aesthetics of Yoruba Culture in Soyinka’s Death and the King’s Horseman
ABSTRACT Culture and religion are two main fibres that sustain the continued existence of a community. However, issues of cultural intersection and the negative effects of cultural shock as a result of colonialism result into diverse forms of confusion in African societies. Considering the relevance of culture, this study investigates the aesthetics of Yoruba culture in Death and the King’s Horseman by Soyinka. An identification and illumination of the significance of the Yoruba culture in the present society situation serves as a basis for restoring, re-establishing and propagating the Yoruba culture as a panacea for societal cleansing. This study is anchored on post-colonial theoretical framework which explains the unpleasant disruption of the rich values inherent in the Yoruba culture. The study concludes that there is need to resuscitate the best and the progressive aspect of the culture of the Yoruba people in order to redeem the vanishing value systems in an era of globalization.
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