报喜:早期基督教艺术中的报喜

Maria Lidova
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引用次数: 0

摘要

这篇论文致力于天使报喜意象的最早形成阶段。虽然它在中世纪广泛传播,但从早期基督教时期开始,只有少数场景幸存下来。根据现有的物证,可以认为天使报喜的形象在公元五世纪才获得了可识别的和完全成熟的形式。早期的例子揭示了图像学的不同形成阶段和逐渐引入的附加特征,丰富了这一高度重要的视觉主题的内容和视觉呈现。本文分析了伪经以及早期神学传统对天使报喜场景发展的影响,并揭示了这些材料对研究上帝之母崇拜的重要性。
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THE ANNUNCIATION IN EARLY CHRISTIAN ART
The paper is dedicated to the earliest formative stages of Annunciation imagery. Although it was widely spread in the Middle Ages, only a few examples of the scene survive from the early Christian period. Judging by the existing material evidence, it can be argued that the image of the Annunciation acquired recognizable and fully-fledged form only in the fifth century. Early examples reveal distinct formative stages of the iconography and the gradual introduction of additional features, enriching the content and visual rendering of this highly significant visual theme. This paper analyzes the influence of Apocrypha, as well as of the early theological tradition, on the development of the Annunciation scene and reveals the importance of this material to the study of the cult of the Mother of God.
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