{"title":"蒙太奇:马雅可夫斯基的诗学原则","authors":"Anastasia V. Breitman","doi":"10.31079/1992-2868-2022-19-2-105-112","DOIUrl":null,"url":null,"abstract":"The features of V. Mayakovsky's poetics are considered. As one of its leading principles, montage is analyzed. Editing is the main specific means of cinematography, the artist's selection of events, their comparison at a certain pace and rhythm, from which the director's concept is formed","PeriodicalId":107715,"journal":{"name":"The Humanities And Social Studies In The Far East","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MONTAGE AS A PRINCIPLE OF MAYAKOVSKY'S POETICSvv\",\"authors\":\"Anastasia V. Breitman\",\"doi\":\"10.31079/1992-2868-2022-19-2-105-112\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The features of V. Mayakovsky's poetics are considered. As one of its leading principles, montage is analyzed. Editing is the main specific means of cinematography, the artist's selection of events, their comparison at a certain pace and rhythm, from which the director's concept is formed\",\"PeriodicalId\":107715,\"journal\":{\"name\":\"The Humanities And Social Studies In The Far East\",\"volume\":\"33 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Humanities And Social Studies In The Far East\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31079/1992-2868-2022-19-2-105-112\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Humanities And Social Studies In The Far East","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31079/1992-2868-2022-19-2-105-112","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The features of V. Mayakovsky's poetics are considered. As one of its leading principles, montage is analyzed. Editing is the main specific means of cinematography, the artist's selection of events, their comparison at a certain pace and rhythm, from which the director's concept is formed
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