钢琴技术发展史:方法方面

M. Pereverzeva, A. A. Davydova
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引用次数: 2

摘要

自17世纪以来,钢琴技术的发展史一直在倒计时。在钢琴发明之前,最常见的键盘乐器是拨弦键琴、古钢琴和风琴。与现代乐器相比,这些早期乐器的键要轻得多。因此,演奏者可以轻松地按下琴键,而不会感到太大的阻力。随着钢琴的出现,无论是演奏技术还是专业钢琴家和业余爱好者的训练技术都开始被重新审视。音乐家们总结自己的演奏经验,撰写论文、教科书和手册,寻找掌握键盘乐器演奏技术的最有效方法。在历史上,钢琴技术有两派:所谓的“高举手指”派和“用手的全部重量弹奏”派。这部作品致力于这些学校的发展历史和钢琴训练的方法论方法。18 - 20世纪发展起来的钢琴技术观点反映在钢琴演奏家和教师的教科书中,有助于理解如何演奏特定时期的音乐,以及使用哪种手指技术来完美地诠释过去的钢琴作品。
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History of Piano Technique Development: Methodical Aspect
The history of the development of piano technique has been counting down since the 17th century. The most common keyboard instruments before the invention of the piano were the harpsichord, clavicord and organ. These early instruments had much lighter keys compared to modern ones. Therefore, performers could easily press the keys without feeling much resistance. With the advent of the piano, both the playing technique and the training technique for professional pianists and amateurs began to be reviewed. Musicians, summarizing their own performing experience, wrote treatises, textbooks and manuals, looking for the most effective method of mastering the technique of playing the keyboard instrument. In history, there are two schools of piano technique: the so-called school of “high lifting of fingers” and “playing with all the weight of the hand”. This work is devoted to the history of the development of these schools and methodological approaches to piano training. The views on piano technique that developed in the 18th–20th centuries, which were reflected in the textbooks of pianistsperformers and teachers, help to understand how to perform music of a particular period and what finger technique to use for a perfect interpretation of piano works of the past.
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