{"title":"kwahule和Tarnagda:非洲戏剧在刻板印象和原创性之间","authors":"W. Wołowski, Renata Jakubczyk","doi":"10.31261/rs.2019.16.26","DOIUrl":null,"url":null,"abstract":"After a short presentation of theatrical definitions of stereotypes, this article offers an hermeneutic study, focused on the elements of stereotypes and strategies of de-stereotyping in two contemporary African plays: Bintou (1997) by Koffi Kwahulé and Les Larmes du ciel d’août -Tears of the August sky (2010) by Aristide Tarnagda. The analysis aims to demonstrate how Koffi Kwahulé et Aristide Tarnagda indulge, possibly unknowingly, in a subtle play with a cliché.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Kwahulé et Tarnagda : le théâtre africain entre le stéréotype et l’originalité\",\"authors\":\"W. Wołowski, Renata Jakubczyk\",\"doi\":\"10.31261/rs.2019.16.26\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After a short presentation of theatrical definitions of stereotypes, this article offers an hermeneutic study, focused on the elements of stereotypes and strategies of de-stereotyping in two contemporary African plays: Bintou (1997) by Koffi Kwahulé and Les Larmes du ciel d’août -Tears of the August sky (2010) by Aristide Tarnagda. The analysis aims to demonstrate how Koffi Kwahulé et Aristide Tarnagda indulge, possibly unknowingly, in a subtle play with a cliché.\",\"PeriodicalId\":332744,\"journal\":{\"name\":\"Romanica Silesiana\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanica Silesiana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31261/rs.2019.16.26\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanica Silesiana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/rs.2019.16.26","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Kwahulé et Tarnagda : le théâtre africain entre le stéréotype et l’originalité
After a short presentation of theatrical definitions of stereotypes, this article offers an hermeneutic study, focused on the elements of stereotypes and strategies of de-stereotyping in two contemporary African plays: Bintou (1997) by Koffi Kwahulé and Les Larmes du ciel d’août -Tears of the August sky (2010) by Aristide Tarnagda. The analysis aims to demonstrate how Koffi Kwahulé et Aristide Tarnagda indulge, possibly unknowingly, in a subtle play with a cliché.
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