北方汉特人民间传说中关于一只贪吃老鼠的故事

G. E. Soldatova
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引用次数: 0

摘要

这篇文章致力于研究汉特人的民间传说样本,以一个关于贪婪老鼠的情节为纽带。这些材料是在互联网的开放资源和出版物中找到的。该研究包括16个样本,其中13个提供录音,11个提供唱歌。作者完成了对情节的描写和对比,明确了文本的体裁,对旋律进行了描写和图解,对旋律进行了对比,对旋律和情节进行了对比。因此,确定了两个主要情节:“被吞下的老鼠”和“爆裂的肚子”。在16个样本中,4个与歌曲类型有关,12个与童话故事有关。对比歌词和旋律可以发现,剧情“爆破肚”不断地与旋律1相结合。童话故事的旋律和关于老鼠的歌曲有许多共同的特点。它们的特点是单线结构(两条等时半线),节奏公式的存在,五步全音阶的优势。从贪婪的老鼠的故事中得到的节奏旋律的陈词滥调也是熊宴的神话歌曲(关于熊的故事)的特征。在历史上,我们找到了一个与其他童话旋律不同的唯一童话旋律的类比。这是在Vogul熊宴上表演的老鼠歌曲旋律的近距离版本。这首曲子的旋律是由a . Kannisto在20世纪初用留声机录制的,乐谱由a . Väisänen于1937年制作并出版。
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The tale about a greedy mouse in the folklore of the Northern Khanty
The article is devoted to the study of samples of Khanty folklore, united by a plot about a greedy mouse. The material was found in open sources of the Internet and in publications. The study included 16 samples, 13 of them were provided with audio recording, 11 were performed with singing. The author has completed a description and com- parison of plots, clarified the genre of the texts, described and schematically notated the melodies, compared the melodies with each other, compared the melodies and plots. As a result, two main plots were identified: «The Swallowed Mouse» and «Bursting Belly». Of the 16 samples, four relate to song genres, 12 – to fairy tales that are told or sung. Comparison of the lyrics and melodies showed that the plot “Bursting Belly” is constantly combined with melody number 1. Melodies of fairy tales and songs about the mouse have a number of features in common. They are distinguished by a one-line structure (two isotemporal half-lines), the presence of rhythmic formulas, the predominance of a five-step diatonic. Rhythmic-melodic clichés from the tales of the greedy mouse are also characteristic of the mythoepic songs (stories about the bear) of the Bear-Feast. A historical analogy is found for the only fairytale melody that differs from the others. This is a close version of the mouse song melody from the performance at the Vogul Bear-Feast. The melody was recorded by A. Kannisto on a phonograph at the beginning of the 20th century, the score was made and published by A. Väisänen in 1937.
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