韩裔美国青年文学中温顺女性身体的塑造——女性主义福柯式解读安娜的《褶皱》(2008)

أشرف قوطة
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摘要

本文运用女权主义和福柯式的批判视角,试图分析韩国裔美国小说家安娜(1972-)的《折叠》(2008)中年轻成人文学的某些方面,展示年轻温顺的女性身体是如何通过某些学科实践产生的。本文借鉴了米歇尔·福柯的“温顺的身体”概念,因为它可以阐明在美国属于韩国少数民族的年轻女性中,无中心和无形的权力/父权制在调节年轻女性的行为和构建温顺的身体和模糊的身份方面所起的作用。用福柯的话说,西方的美的标准被认为是纪律的实践,通过它,温顺的女性身体得以构建。本文认为,美国主流文化中普遍存在的审美标准和身体形象的内化,使女性的身体变得温顺。研究表明,小说中的韩国女性角色试图根据美国主流文化的观念来定义自己的身体形象和身份。他们对新的“西方化”特征的追求使他们内化了西方的审美标准,从而使自己物化,模糊了他们的韩国身份。论文认为,这些标准也可以被认为是现代男权技术,最终产生了温顺、自我控制和自我物化的女性身体。
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The Making of the Docile Female Body in Korean American Young Adult Literature: A Feminist Foucauldian Reading of An Na’s The Fold (2008)
Using both feminist and Foucauldian critical lenses, this paper seeks to analyze some aspects of young adult (YA) literature in The Fold (2008), written by South Korean-born American novelist An Na (1972-), demonstrating how the young docile female body is produced through certain disciplinary practices. Michel Foucault‟s concept of „the Docile Body‟ is drawn upon insofar as it can illuminate the role of centerless and invisible power/patriarchy in regulating the action of young women and constructing docile bodies and blurred identities among young women belonging to the Korean minority in America. In Foucauldian terms, the Western standards of beauty are considered disciplinary practices through which the docile female body is constructed. The paper argues that the female body becomes docile through self-surveillance and the internalization of the standards of beauty and body image prevalent in mainstream American culture. The paper shows that Korean female characters in the novel seek to define their body image and identity based on the notions of the dominant American culture. Their search for new „Westernized‟ features leads them to internalize the Western standards of beauty, thus objectifying themselves and blur their Korean identities. The paper argues that these standards can also be considered modern patriarchal techniques that eventually produce docile, self-controlled, and self-objectified female bodies.
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