{"title":"双重加冕:两位十四世纪匈牙利王后的公共和私人形象","authors":"Christopher Mielke","doi":"10.22618/tp.haa.20193.221.006","DOIUrl":null,"url":null,"abstract":"Art as propaganda is traditionally thought to be used as a tool of monarchs in cementing their role. In addition to coins with the king’s face and seals featuring the king in majesty, the king’s face could also appear on public art such as statues, stained glass, and even frescoes. This essay seeks to understand four pieces of stonework visible to the medieval public which would have featured two fourteenth-century queens of Hungary: Elizabeth of Poland (d. 1380), wife of Charles I Robert, and Elizabeth of Bosnia (d. 1387), wife of Louis I ‘the Great’ (r.","PeriodicalId":331273,"journal":{"name":"AMBIGUOUS WOMEN IN MEDIEVAL ART","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Doubly crowned: The Public and Private Image of Two Fourteenth-Century Hungarian Queens\",\"authors\":\"Christopher Mielke\",\"doi\":\"10.22618/tp.haa.20193.221.006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Art as propaganda is traditionally thought to be used as a tool of monarchs in cementing their role. In addition to coins with the king’s face and seals featuring the king in majesty, the king’s face could also appear on public art such as statues, stained glass, and even frescoes. This essay seeks to understand four pieces of stonework visible to the medieval public which would have featured two fourteenth-century queens of Hungary: Elizabeth of Poland (d. 1380), wife of Charles I Robert, and Elizabeth of Bosnia (d. 1387), wife of Louis I ‘the Great’ (r.\",\"PeriodicalId\":331273,\"journal\":{\"name\":\"AMBIGUOUS WOMEN IN MEDIEVAL ART\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMBIGUOUS WOMEN IN MEDIEVAL ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22618/tp.haa.20193.221.006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMBIGUOUS WOMEN IN MEDIEVAL ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22618/tp.haa.20193.221.006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Doubly crowned: The Public and Private Image of Two Fourteenth-Century Hungarian Queens
Art as propaganda is traditionally thought to be used as a tool of monarchs in cementing their role. In addition to coins with the king’s face and seals featuring the king in majesty, the king’s face could also appear on public art such as statues, stained glass, and even frescoes. This essay seeks to understand four pieces of stonework visible to the medieval public which would have featured two fourteenth-century queens of Hungary: Elizabeth of Poland (d. 1380), wife of Charles I Robert, and Elizabeth of Bosnia (d. 1387), wife of Louis I ‘the Great’ (r.
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