性别和原型作为赫尔曼·黑塞《德米安》和《水仙与戈德蒙》中人物分析的组成部分

Z. Rodchyn, N. Blahun
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摘要

本文旨在研究德国作家赫尔曼·黑塞作品中的性别,特别是他小说中人物的性别角色和女性意像和男性意像的原型。在研究过程中,明确了雌雄同体人格在社会中的作用。女性意像(anima)和男性意像(animus)作为性别研究中最重要的定义,是荣格从一般原型系统中挑选出来的。分析了人类心理中男性和女性原则的特征和合成方式。对赫尔曼·黑塞作品的分析包括小说《德米安》(1919)和《水仙与戈德蒙》(1930)。通过对这些概念的界定,证明了黑塞作品中存在着精神分析理论和性别研究的要素。从男性气质和女性气质的角度对小说中的人物进行了分析和刻画。通过这一研究,我们能够从性别的角度对图像系统进行清晰的界定,这使得我们能够更自信地将文学作品运用到性别问题中,并在性别研究的背景下更有组织地表征写作活动。
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GENDER AND ARCHETYPE AS COMPONENTS OF THE CHARACTER ANALYSIS IN “DEMIAN” AND “NARCISSUS AND GOLDMUND” BY HERMANN HESSE
The article is devoted to the study of gender in the works of the German writer Hermann Hesse, in particular the gender roles and archetypes of anima and animus traced in characters of his novels. During the research, the role of the androgynous personality in society has been clarified. The anima and animus as the most important definitions in gender studies are singled out from the general system of archetypes by Carl Gustav Jung. Features and ways of synthesis of masculine and feminine principles in the human psyche are characterized. The analysis of the works of Hermann Hesse includes the novels “Demian” (1919) and “Narcissus and Goldmund” (1930). With the definition of the concepts, the presence of elements of the psychoanalysis theory and gender studies in the works of Hermann Hesse has been proved. The characters of the novel have been analyzed and characterized in terms of masculinity and femininity. Due to this research, we have been able to clearly define the system of images from the perspective of gender, which makes it possible to use literary works in gender issues more confidently and to characterize the writing activity in a more structured way against the background of gender studies.
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