一个抽象的旅程:制作专注于皮克斯“由内而外”的“抽象思维”序列

Evan Bonifacio, S. Deluna, M. Ellsworth, Bernhard Haux, Jonas Jarvers, Vladimir Kooperman, Ken Lao, Colin Levy, Albert Lozano, S. Skaria, Ron Zorman
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引用次数: 0

摘要

在皮克斯的《头脑特工队》的抽象思维序列中,角色们发现自己处于莱利大脑中处理抽象概念的特定部分。他们经历了向抽象转变的不同阶段,试图找到出路。与《头脑特工队》的整体外观不同的是,一个非常特殊的美术方向需要一个小团队的美术人员紧密合作,以保持沟通线的缩短和工作流程的灵活。所有部门都必须迅速对变化做出反应,尽可能快地将故事中粗糙的新想法带到屏幕上,以便在上下文中进行评估。
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An abstract journey: production focus on the 'abstract thought' sequence in Pixar's 'inside out'
In the Abstract Thought sequence of Pixar's Inside Out the characters find themselves in a specific part of Riley's brain that processes abstract notions. They go through various stages of transformation towards abstraction as they try to find their way out. A very particular art direction, which was different from the overall look of Inside Out, required a small team of artists to work very closely together in order to to keep communication lines short and workflows flexible. All departments had to react to changes promptly, bringing rough, new ideas from story to screen as quickly as possible in order to be evaluated in context.
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