《我想在诗歌上留下印记》:鲍里斯·布什金创作传记

Eleonora Kotova
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摘要

本文首先以斯摩棱斯克国立大学文学博物馆的档案资料为基础。本文重构了诗人、文学评论家、戏剧评论家、苏联人民诗人翻译家鲍里斯·谢尔盖耶维奇·布尔什金的生平和创作路径。人们对他的晚年生活十分关注。在20世纪20年代早期,布尔什金是世界艺术家协会和诗人俱乐部的组织者,他们在斯摩棱斯克诗歌的发展中发挥了重要作用。作为评论家,他与地方和国家杂志合作。斯摩棱斯克与诗人米哈伊尔·伊萨科夫斯基和亚历山大·特瓦尔多夫斯基永远成为朋友,他们认为布尔什宁是他们的文学导师。1938年,由于国家安全机关的镇压,他移居莫斯科,在那里他开始从事文学翻译工作,受到同时代人的高度赞赏。
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«I Would Like to Leave a Mark on Poetry»: Creative Biography of Boris Burshtyn
The article is based, first of all, on the archival materials of the Literary Museum of the Smolensk State University. The paper reconstructs the life and creative path of Boris Sergeyevich Burshtyn, a poet, literary and theater critic, translator of the people’s poets of the USSR. Much attention is paid to his Smo- lensk period of life. In the early 1920s, Burshtyn was an organizer of the Arena Artel of Word Artists and the Club of Poets, that played an important role in the development of Smolensk poetry. As a critic, he collaborated with local and na- tional magazines. Smolensk forever made friends with the poet Mikhail Isakovsky and Alexander Tvardovsky, who considered Burshnyn their literary mentor. In 1938, in connection with the repressions of the state security agencies, he moved to Moscow, where he began to engage in literary translation, highly appreciated by his contemporaries.
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