战争，成人仪式和抵抗素描

Manhua Modernity: Chinese Culture and the Pictorial Turn Pub Date : 2020-12-08 DOI:10.1525/luminos.97.c

John A. Crespi

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摘要

无论谁从一个世界转到另一个世界，都会发现自己在一段时间内身体上和宗教上都处于一种特殊的状态:他在两个世界之间摇摆不定。我把这种情况称为过渡，本书的目的之一就是要证明，这种象征性的和空间上的过渡，在伴随从一种社会和魔法宗教地位过渡到另一种地位的所有仪式中，或多或少都能找到明显的形式。——阿诺德·范·格内普，1909年

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War, Rites of Passage, and Resistance Sketch

Whoever passes from one to the other finds himself physically and magico-religiously in a special situation for a certain length of time: he wavers between two worlds. It is this situation which I have designated a transition, and one of the purposes of this book is to demonstrate that this symbolic and spatial area of transition may be found in more or less pronounced form in all the ceremonies which accompany the passage from one social and magico-religious position to another. —Arnold van Gennep, 1909

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