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引用次数: 0
摘要
本文考察了酒精在Martín Luis Guzmán文学巨著La sombra del caudillo中的形象美学功能。具体来说,我认为酒精是一个消费、醉酒和情感转变的更广泛的过程,同时反映和影响着个人和集体的权力动态。它不仅仅是一个消费对象,而是作为一个活跃的主体,参与、点燃和转化文本中的其他过程。在意识形态领域,我关注个人和集体饮酒行为对饮酒者的启示,以及性别、阶级和种族问题是如何通过文学表现来协商的。然后,我考虑了与国家建设的更广泛的社会政治实践有关的酒精的美学和象征功能。我分析了酒精消费如何成为一把双刃剑,有可能促进同志情谊或冲突,以及酒精的过量如何将社会关系从友好的政治接触转变为暴力对抗。最后,我认为,酒在《黑影》中所扮演的观念美学角色,促成了这部作品的悲剧主题。
Sips and Giggles: Alcohol, Tragedy and Ideo-Aesthetics in La sombra del Caudillo
This article examines the ideo-aesthetic function of alcohol in Martín Luis Guzmán literary magnum opus La sombra del caudillo. Specifically, I read alcohol as a broader process of consumption, inebriation and affective transformation that concurrently reflects and influences individual and collective power dynamics at play. Rather than a mere object of consumption, it behaves as an active agent that participates in, ignites and transforms other processes in the text. Within the ideological domain, I focus on what the individual and collective drinking practices reveal about those who drink and how questions of gender, class and race are negotiated through literary representation. I then consider the aesthetic and symbolic function of alcohol in relation to the broader sociopolitical practice of state-building. I analyze how alcohol consumption becomes a double-edged sword with the potential to foster comradery or conflict and how its excess transforms social relations from amicable political encounters to violent confrontations. Ultimately, I argue that the ideo-aesthetic role of alcohol in La sombra del caudillo contributes to the work’s overarching theme of tragedy.