{"title":"aluisio Azevedo和葡萄牙:一种模糊的关系","authors":"Jean-Yves Mérian","doi":"10.53943/elcv.0120_09","DOIUrl":null,"url":null,"abstract":"The reading of Aluísio Azevedo’s novels led many critics to consider that this Brazilian novelist had a very strong anti-Portuguese bias. This study aims to correct this assessment, based on the analysis of the biography of the writer from Maranhão (1857-1913). Son of Portuguese parents, he lived his childhood and adolescence in a patriarchal and slave society, dominated by Portuguese, Luso-Brazilian traders and by the rural oligarchy and the ultramontane Church. Self-taught, but raised in an educated family, he completed his training in Rio de Janeiro as a journalist and caricaturist, before asserting himself as a writer. He was greatly influenced by Portuguese intellectuals and writers, such as Ramalho Ortigão, Eça de Queirós, Maria Amália Vaz de Carvalho and by the caricaturist Bordalo Pinheiro, whom he met in Rio de Janeiro and with whom he would maintain friendly relations throughout his life. In Rio de Janeiro, the author actively participated in the promotion of the work of Eça de Queirós, before asserting himself as the promoter of Naturalism in Brazil. For ten years, Azevedo was, alongside Ferreira de Araújo and Machado de Assis, one of the main activists in favor of signing a Portuguese-Brazilian copyright agreement that guaranteed equality and reciprocity between Brazilian and Portuguese authors.Thus, the letters sent to friends and quoted in this article deny the accusations of anti-Lusitanist by the author of O Mulato, Casa de Pensão and O Cortiço.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Aluísio Azevedo e Portugal: uma ambígua relação\",\"authors\":\"Jean-Yves Mérian\",\"doi\":\"10.53943/elcv.0120_09\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The reading of Aluísio Azevedo’s novels led many critics to consider that this Brazilian novelist had a very strong anti-Portuguese bias. This study aims to correct this assessment, based on the analysis of the biography of the writer from Maranhão (1857-1913). Son of Portuguese parents, he lived his childhood and adolescence in a patriarchal and slave society, dominated by Portuguese, Luso-Brazilian traders and by the rural oligarchy and the ultramontane Church. Self-taught, but raised in an educated family, he completed his training in Rio de Janeiro as a journalist and caricaturist, before asserting himself as a writer. He was greatly influenced by Portuguese intellectuals and writers, such as Ramalho Ortigão, Eça de Queirós, Maria Amália Vaz de Carvalho and by the caricaturist Bordalo Pinheiro, whom he met in Rio de Janeiro and with whom he would maintain friendly relations throughout his life. In Rio de Janeiro, the author actively participated in the promotion of the work of Eça de Queirós, before asserting himself as the promoter of Naturalism in Brazil. For ten years, Azevedo was, alongside Ferreira de Araújo and Machado de Assis, one of the main activists in favor of signing a Portuguese-Brazilian copyright agreement that guaranteed equality and reciprocity between Brazilian and Portuguese authors.Thus, the letters sent to friends and quoted in this article deny the accusations of anti-Lusitanist by the author of O Mulato, Casa de Pensão and O Cortiço.\",\"PeriodicalId\":288631,\"journal\":{\"name\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53943/elcv.0120_09\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53943/elcv.0120_09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在阅读Aluísio阿泽维多的小说时,许多评论家认为这位巴西小说家有很强的反葡萄牙偏见。本研究旨在通过对这位来自maranh(1857-1913)的作家的传记的分析来纠正这一评价。他的父母是葡萄牙人,他的童年和青春期生活在一个由葡萄牙人、葡巴商人、农村寡头和极端山地教会主导的父权和奴隶社会。他自学成才,但成长于一个受过良好教育的家庭,在里约热内卢完成了记者和漫画家的训练,之后才成为一名作家。他深受葡萄牙知识分子和作家的影响,如Ramalho ortig o, ea de Queirós, Maria Amália Vaz de Carvalho和漫画家Bordalo Pinheiro,他在里约热内卢的里约热内卢遇到了他们,并与他们保持了一生的友好关系。在巴西里约热内卢,作者在宣称自己是巴西自然主义的推动者之前,积极参与了ea de Queirós的推广工作。十年来,阿泽维多与Ferreira de Araújo和Machado de Assis一起,是支持签署葡萄牙和巴西版权协议的主要活动家之一,该协议保证了巴西和葡萄牙作家之间的平等和互惠。因此,寄给朋友的信件和本文引用的信件否认了《O Mulato》、《Casa de pens》和《O corsidoro》的作者对反卢西坦主义者的指控。
The reading of Aluísio Azevedo’s novels led many critics to consider that this Brazilian novelist had a very strong anti-Portuguese bias. This study aims to correct this assessment, based on the analysis of the biography of the writer from Maranhão (1857-1913). Son of Portuguese parents, he lived his childhood and adolescence in a patriarchal and slave society, dominated by Portuguese, Luso-Brazilian traders and by the rural oligarchy and the ultramontane Church. Self-taught, but raised in an educated family, he completed his training in Rio de Janeiro as a journalist and caricaturist, before asserting himself as a writer. He was greatly influenced by Portuguese intellectuals and writers, such as Ramalho Ortigão, Eça de Queirós, Maria Amália Vaz de Carvalho and by the caricaturist Bordalo Pinheiro, whom he met in Rio de Janeiro and with whom he would maintain friendly relations throughout his life. In Rio de Janeiro, the author actively participated in the promotion of the work of Eça de Queirós, before asserting himself as the promoter of Naturalism in Brazil. For ten years, Azevedo was, alongside Ferreira de Araújo and Machado de Assis, one of the main activists in favor of signing a Portuguese-Brazilian copyright agreement that guaranteed equality and reciprocity between Brazilian and Portuguese authors.Thus, the letters sent to friends and quoted in this article deny the accusations of anti-Lusitanist by the author of O Mulato, Casa de Pensão and O Cortiço.