南加里曼丹绘画作品中的河流史学1950-2000

P. Indriyani, Wisnu Subroto
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引用次数: 0

摘要

随着时间的推移,南加里曼丹河社区的生活及其周围的动态经历了文化转型。有时如此迅速的文化转型也使人们的取向发生了变化。这些变化在南加里曼丹画家的作品中通过画布上的划痕记录和说明。这项研究的目的是盘点和洞察南加里曼丹河画背后的意义,作为过去社区的代表。历史方法是用来从历史人物留下的事件中探索数据和事实,包括他们使用过的文字、绘画和文物。南加里曼丹人民的变化可以通过历史研究看到或追踪。本研究的结果可以清晰地描述南加里曼丹河流社区的社会现实和美,通过画家的笔触在画面中不时发生变化。这一现实可以为绘画提供一种新的理解,即绘画是对过去痕迹的美学描绘。因此,南加里曼丹的河画可以从多个方面来看待,其中一个是通过它的历史编纂。
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RIVER HISTORIOGRAPHY IN THE WORKS OF SOUTH KALIMANTAN PAINTS 1950-2000
The life of the river community in South Kalimantan with the dynamics that surround it over time has undergone a cultural transformation. The cultural transformation that is sometimes so fast makes the orientation of the people change too. These changes are recorded and illustrated in the works of painters from South Kalimantan through scratches on canvas. This research has the aim of being an inventory as well as an insight into the meaning behind river paintings in South Kalimantan as a representation of past communities. The historical method is used to explore data and facts from events left by historical actors, both in the form of writing, paintings, and relics that they have used. Changes in the people of South Kalimantan can be seen or traced through historical research. The results of this study can clearly describe the social reality and beauty of the river communities in South Kalimantan which have changed through the painter's strokes in pictures from time to time. This reality can provide a new understanding of painting as an aesthetic portrait of the traces of the past. Thus, river painting in South Kalimantan can be viewed from various aspects, one of which is through its historiography.
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