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引用次数: 0
摘要
在古巴,视觉性、种族暴力和政治霸权之间的关系是什么?在《Vista del amanecer en el trópico》(1974)中,Guillermo Cabrera Infante试图通过关注视觉媒体及其在五千年中的操纵来回答这个问题。我分析这部小说是对拉丁美洲álbum de vistas的恶搞,这本书中有理想化的蚀刻、版画、地图和/或地方和人物的照片,揭示了版画和摄影与古巴种族化的政治计划之间的联系。“展望未来”强调,尽管发生了革命和政治结构发生了变化,但种族主义意识形态和政策仍在继续损害土著人民和非裔古巴人。我对小说中版画和照片的主题和结构研究展示了Cabrera Infante是如何批评那些通过这两种不同媒体的制作和传播来促进种族暴力的国家行为者的。
Racial Violence and Visual Media in Vista del amanecer en el trópico
What is the relationship between visuality, racial violence, and political hegemony in Cuba? In Vista del amanecer en el trópico (1974), Guillermo Cabrera Infante tries to answer this question by focusing on visual media and its manipulation over half a millennium. My analysis of the novel as a parody of a Latin American álbum de vistas—a book with idealized etchings, engravings, maps, and/or photos of places and people—uncovers the connection of engravings and photography to Cuba’s racialized political projects. Vista del amanecer underscores continuities in racist ideologies and policies that undermine indigenous people and Afro-Cubans, despite revolutions and changes in political configurations. My thematic and structural study of the novel’s engagement with engravings and photographs demonstrates how Cabrera Infante criticizes state actors who promote race-based violence through the production and dissemination of those two distinct media.