{"title":"文字和图像之间的多重联系","authors":"M. A. Fontes","doi":"10.53943/elcv.0221_03","DOIUrl":null,"url":null,"abstract":"In this article, I propose a critical-analytical reading of the relations between writing and images and their multiple connections, supported by the review of mimetic and semiological conceptual references that enabled the identification of the moment of annulment of the veto to the imaginary. The rupture with traditional mimetic procedures contributed to the almost complete dissolution of the limits between writing and image, triggering multiple connections between them in times of globalization, hybridization, and hypertexts.","PeriodicalId":288631,"journal":{"name":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"As múltiplas conexões entre escrita e imagem\",\"authors\":\"M. A. Fontes\",\"doi\":\"10.53943/elcv.0221_03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, I propose a critical-analytical reading of the relations between writing and images and their multiple connections, supported by the review of mimetic and semiological conceptual references that enabled the identification of the moment of annulment of the veto to the imaginary. The rupture with traditional mimetic procedures contributed to the almost complete dissolution of the limits between writing and image, triggering multiple connections between them in times of globalization, hybridization, and hypertexts.\",\"PeriodicalId\":288631,\"journal\":{\"name\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"volume\":\"35 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53943/elcv.0221_03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53943/elcv.0221_03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In this article, I propose a critical-analytical reading of the relations between writing and images and their multiple connections, supported by the review of mimetic and semiological conceptual references that enabled the identification of the moment of annulment of the veto to the imaginary. The rupture with traditional mimetic procedures contributed to the almost complete dissolution of the limits between writing and image, triggering multiple connections between them in times of globalization, hybridization, and hypertexts.