The Nation as Family

This chapter examines mother-child love linked to love for the nation within two Japanese plays. In Rio Kishida’s Thread Hell (1984), a pre–World War II silk factory represents the Japanese Empire, where a mother and her daughter are manipulated by the nation. However, they eventually challenge this symbolic realm that forces women to sustain the national lineage through their reproductive function. In Hideki Noda’s MIWA (2015), a homosexual transvestite’s relationship with his mother in the postwar period is depicted. As resistance to heteronormative ideas about family, and the nation as its extension, he commits matricide, but this leads to his melancholia as he cannot fully give up his desire to belong to a “normal” family and nation. These plays explore the ways individuals develop a critical relation to the nation by reconfiguring their love for their mother.