谁在讲故事?从叙事学角度解读莱蒙尼·斯尼奇的《一系列不幸事件》和《卡伦》中叙述者的角色

H. Bayoumy
{"title":"谁在讲故事?从叙事学角度解读莱蒙尼·斯尼奇的《一系列不幸事件》和《卡伦》中叙述者的角色","authors":"H. Bayoumy","doi":"10.21608/ttaip.2019.123723","DOIUrl":null,"url":null,"abstract":"Narration plays an important role in dramatic works. Classic critics, most prominently Aristotle, have always focused on acting despite narration playing a significant role, often presented through flashbacks, news, brief or long interludes. Brian Richardson, well-known for his articles on narrativity and drama strongly affirms that “drama, like the novel, is and always has been a mixture of mimetic and diegetic representation” (193). Fludernik also asserts that “it is ... customary to analyse not only the novel and the film as narrative genres but also drama, cartoons, ballet and pantomime” (4). Drama and film thus combine “seeing” and “narrating” side by side. Narration is often used by playwrights and scriptwriters to shed light on important functions/messages: creating an alienating effect, storytelling, interrupting and/or commenting on the events. Such functions highlight the presence of the narrator who emerges as a figure worthy of analysis given the fact that he takes different forms and names: messenger, chorus, or even a character. In plays and films for young adults, the narrator is of extreme importance as he has a centralised role in introducing and ending the play/film and often intervening for commentary. The narrator’s identity and his vital and diverse roles can be clearly seen in two works for young adults (a film and a play): Lemony Snicket’s A Series of Unfortunate Events (2004) and Qarun (2018). These works have been selected because they have not been critically dealt with and because narration is interwoven with the events of the works and is, therefore, strongly present. Moreover, the narrators perform different, but significant roles that, in turn, influence the way the event, story or tale being told. For a thorough reading and analysis of these roles, the paper will employ the principles of narratology as a theoretical framework to approach the selected works in order to highlight the significant roles of the narrators and how they effectively present the events of the plays and film to the young adult audience/viewers.","PeriodicalId":276703,"journal":{"name":"Textual Turnings: An International Peer-Reviewed Journal in English Studies","volume":"453 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun\",\"authors\":\"H. Bayoumy\",\"doi\":\"10.21608/ttaip.2019.123723\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Narration plays an important role in dramatic works. Classic critics, most prominently Aristotle, have always focused on acting despite narration playing a significant role, often presented through flashbacks, news, brief or long interludes. Brian Richardson, well-known for his articles on narrativity and drama strongly affirms that “drama, like the novel, is and always has been a mixture of mimetic and diegetic representation” (193). Fludernik also asserts that “it is ... customary to analyse not only the novel and the film as narrative genres but also drama, cartoons, ballet and pantomime” (4). Drama and film thus combine “seeing” and “narrating” side by side. Narration is often used by playwrights and scriptwriters to shed light on important functions/messages: creating an alienating effect, storytelling, interrupting and/or commenting on the events. Such functions highlight the presence of the narrator who emerges as a figure worthy of analysis given the fact that he takes different forms and names: messenger, chorus, or even a character. In plays and films for young adults, the narrator is of extreme importance as he has a centralised role in introducing and ending the play/film and often intervening for commentary. The narrator’s identity and his vital and diverse roles can be clearly seen in two works for young adults (a film and a play): Lemony Snicket’s A Series of Unfortunate Events (2004) and Qarun (2018). These works have been selected because they have not been critically dealt with and because narration is interwoven with the events of the works and is, therefore, strongly present. Moreover, the narrators perform different, but significant roles that, in turn, influence the way the event, story or tale being told. For a thorough reading and analysis of these roles, the paper will employ the principles of narratology as a theoretical framework to approach the selected works in order to highlight the significant roles of the narrators and how they effectively present the events of the plays and film to the young adult audience/viewers.\",\"PeriodicalId\":276703,\"journal\":{\"name\":\"Textual Turnings: An International Peer-Reviewed Journal in English Studies\",\"volume\":\"453 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Textual Turnings: An International Peer-Reviewed Journal in English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21608/ttaip.2019.123723\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Textual Turnings: An International Peer-Reviewed Journal in English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21608/ttaip.2019.123723","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

叙事在戏剧作品中起着重要的作用。古典评论家,最突出的是亚里士多德,一直专注于表演,尽管叙述扮演着重要的角色,通常通过倒叙,新闻,或短或长的插曲来呈现。布莱恩·理查森(Brian Richardson)以其关于叙事和戏剧的文章而闻名,他强烈肯定“戏剧,就像小说一样,是而且一直是模仿和叙事表现的混合体”(193)。Fludernik还断言“这是……习惯上不仅把小说和电影作为叙事类型来分析,而且把戏剧、卡通片、芭蕾舞和哑剧也作为叙事类型来分析”(4)。戏剧和电影因此把“看”和“讲”结合在一起。旁白经常被剧作家和编剧用来阐明重要的功能/信息:创造一种疏远的效果,讲故事,打断和/或评论事件。这些功能突出了叙述者的存在,他作为一个值得分析的人物出现,因为他有不同的形式和名字:信使,合唱,甚至是一个角色。在面向年轻人的戏剧和电影中,叙述者是极其重要的,因为他在介绍和结束戏剧/电影中起着中心作用,经常介入评论。叙述者的身份和他重要而多样的角色可以在两部年轻人作品(电影和戏剧)中清晰地看到:莱蒙尼·斯尼奇的《一系列不幸事件》(2004)和《卡伦》(2018)。这些作品之所以被选中,是因为它们没有被批判性地处理,因为叙事与作品中的事件交织在一起,因此,强烈存在。此外,叙述者扮演着不同但重要的角色,反过来影响事件、故事或故事的讲述方式。为了对这些角色进行全面的阅读和分析,本文将采用叙事学的原则作为理论框架来研究所选作品,以突出叙述者的重要角色,以及他们如何有效地将戏剧和电影中的事件呈现给年轻的成年观众/观众。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Who is Telling the Tale? A Narratological Reading of the Roles of the Narrators in Lemony Snicket’s A Series of Unfortunate Events and Qarun
Narration plays an important role in dramatic works. Classic critics, most prominently Aristotle, have always focused on acting despite narration playing a significant role, often presented through flashbacks, news, brief or long interludes. Brian Richardson, well-known for his articles on narrativity and drama strongly affirms that “drama, like the novel, is and always has been a mixture of mimetic and diegetic representation” (193). Fludernik also asserts that “it is ... customary to analyse not only the novel and the film as narrative genres but also drama, cartoons, ballet and pantomime” (4). Drama and film thus combine “seeing” and “narrating” side by side. Narration is often used by playwrights and scriptwriters to shed light on important functions/messages: creating an alienating effect, storytelling, interrupting and/or commenting on the events. Such functions highlight the presence of the narrator who emerges as a figure worthy of analysis given the fact that he takes different forms and names: messenger, chorus, or even a character. In plays and films for young adults, the narrator is of extreme importance as he has a centralised role in introducing and ending the play/film and often intervening for commentary. The narrator’s identity and his vital and diverse roles can be clearly seen in two works for young adults (a film and a play): Lemony Snicket’s A Series of Unfortunate Events (2004) and Qarun (2018). These works have been selected because they have not been critically dealt with and because narration is interwoven with the events of the works and is, therefore, strongly present. Moreover, the narrators perform different, but significant roles that, in turn, influence the way the event, story or tale being told. For a thorough reading and analysis of these roles, the paper will employ the principles of narratology as a theoretical framework to approach the selected works in order to highlight the significant roles of the narrators and how they effectively present the events of the plays and film to the young adult audience/viewers.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Gendered Space in Seamus Heaney's Death of a Naturalist (1966) and Ahmed Abdel Muti Hijazi’s A Heartless City (1959): A Feminist Geo-Critical Approach Empowering Nature and Women: Ecofeminist Analysis of Atwood's The Edible Woman and Watson's Tiny Sunbirds Faraway The Trickster as Savior in Charles Johnson’s Middle Passage Reporting the Iraq War: A Corpus-Assisted Critical Stylistic Analysis of Selected English Translations of Iraq War Poetry Staging Absence: Postdramatic Aesthetics in Martin Crimp’s Attempts on Her Life (1997/2007) & Rabie Mroué and Linah Saneh’s 33 Rpm and Few Seconds (2013)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1