“友谊之声”:20世纪中非关系中的音乐意象

Verge: Studies in Global Asias Pub Date : 2022-02-09 DOI:10.1353/vrg.2022.0010

I. Suglo

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引用次数: 0

摘要

摘要:本文通过分析音乐表演对中国通过音乐想象产生和传播非洲知识的贡献，考察音乐在20世纪中非关系中的作用。本文利用档案和多媒体资料，以二十世纪有影响力的中国音乐家朱明英为例，分析非洲形象如何在中国的音乐制作和营销实践中被部署和传播，以及它对中非关系发展的影响。本文为中非关系的学术研究做出了贡献，这些研究关注的是人文主义，而不是流行的贸易、援助、安全和投资等元叙事。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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"Sound of Friendship": Music Iconography in Twentieth-Century Africa–China Relations

Abstract:This essay examines the role of music in twentieth-century Africa–China relations by analyzing musical performances' contribution to the production and circulation of knowledge about Africa in China through musical imagination. Drawing on archival and multimedia sources, this essay focuses on the figure of Zhu Mingying—an influential Chinese musician in the twentieth century—as a case study to analyze how African imagery is deployed and circulated in music making and marketing practices in China, as well as its implications for developments in Africa–China relations. This essay contributes to a growing body of scholarship on Africa–China relations that addresses the humanistic as opposed to popular metanarratives of trade, aid, security, and investment.

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