{"title":"在记忆与历史之间","authors":"C. Ginzburg","doi":"10.1080/25785648.2022.2159125","DOIUrl":null,"url":null,"abstract":"Abstract A relationship between Saul Friedländer’s autobiographical text When Memory Comes and his historical magnus opus Nazi Germany and the Jews has been suggested by Stéphane Bou. This article develops this suggestion, focusing on the narrative choices Friedländer made in his major historical work. An analysis of the use of estrangement and fragmentary evidence unveils their cognitive implications.","PeriodicalId":422357,"journal":{"name":"The Journal of Holocaust Research","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Between Memory and History\",\"authors\":\"C. Ginzburg\",\"doi\":\"10.1080/25785648.2022.2159125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract A relationship between Saul Friedländer’s autobiographical text When Memory Comes and his historical magnus opus Nazi Germany and the Jews has been suggested by Stéphane Bou. This article develops this suggestion, focusing on the narrative choices Friedländer made in his major historical work. An analysis of the use of estrangement and fragmentary evidence unveils their cognitive implications.\",\"PeriodicalId\":422357,\"journal\":{\"name\":\"The Journal of Holocaust Research\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Holocaust Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/25785648.2022.2159125\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Holocaust Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/25785648.2022.2159125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Abstract A relationship between Saul Friedländer’s autobiographical text When Memory Comes and his historical magnus opus Nazi Germany and the Jews has been suggested by Stéphane Bou. This article develops this suggestion, focusing on the narrative choices Friedländer made in his major historical work. An analysis of the use of estrangement and fragmentary evidence unveils their cognitive implications.
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