{"title":"Limba păsărilor în basmul fantastic românesc","authors":"Costel Cioancă","doi":"10.47802/amet.2020.36.03","DOIUrl":null,"url":null,"abstract":"The idea of a primordial language, spoken / understood by both man and animals, a secret language to be given by consecration / initiation only to the chosen one and which offers the initiate a higher type of knowledge, fascinated. Present in the myths, stories and literature of the world, such a language would represent „the key to access to the ancient memory of a culture and a civilization still largely unknown” (Ph. Walter). When approaching this subject, the specialists speak, without a doubt, of a prehistoric language, born and used long before the Indo‑European`s historical language: a language with a common heritage of archaic beliefs and conceptions, lost and later translated into cultural products such as this motif of the language of birds / animals, reminiscent of a magical thinking that fell into the (almost) fixed structures of the imagination. We have many cases in classical mythology in which this primordial language re‑com‑ poses the concrete, ideational universe of an original period, in which the fusion of meaning and significance is restored (Eve‑serpent dialogue mentioned by the Old Testament, Tiresias, Melampus for ancient Greece, Finn – Ireland, Taliesin – Wales etc.). The quorum of myths in the examples mentioned in this study is still amazing, rich, complex. The clairvoyance, the access of the pauper hero to a higher level of knowledge thanks to this initiation, the essence of the myth relocated in the fairy tale, are all these a simple literary decal, inspired by an anonymous fairy tale creator in the fantastic epic for a greedy imaginary audience? Certainly, not. • The construction of the myth at the level of the fairy tale, often very close to the classical myths; • Investing in this imaginative episode with symbolizing intent; last but not least, • The ubiquity of a specific interdiction, I believe I take this motive literally out of the realm of traditional narrative arbitrariness, integrating it into that of the intentionality of (symbolic) consciousness.","PeriodicalId":373761,"journal":{"name":"Anuarul Muzeului Etnograif al Transilvaniei","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Anuarul Muzeului Etnograif al Transilvaniei","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47802/amet.2020.36.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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摘要

一种原始语言的概念,人类和动物都能说/理解,一种秘密语言,通过奉献/启蒙只给被选中的人,它为启蒙者提供了一种更高类型的知识,着迷。这种语言出现在世界上的神话、故事和文学作品中,它将代表“通往一种文化和文明的古老记忆的钥匙,这种文化和文明在很大程度上仍是未知的”(沃尔特博士)。在讨论这一主题时,专家们毫无疑问地谈到了一种史前语言,它诞生和使用的时间远远早于印欧语系的历史语言:一种具有古老信仰和概念的共同遗产的语言,丢失了,后来被翻译成文化产品,比如这种鸟/动物语言的主题,让人想起一种落入(几乎)固定的想象结构的神奇思维。在古典神话中,我们有很多这样的例子,在这些例子中,这种原始语言重新构成了一个原始时期的具体的、概念性的宇宙,在这种情况下,意义和意义的融合得到了恢复(旧约中提到的夏娃与蛇的对话,泰雷西亚斯,古希腊的梅兰普斯,芬兰-爱尔兰,塔里埃森-威尔士等)。在本研究中提到的例子中,神话的数量仍然是惊人的、丰富的、复杂的。千里眼,贫民英雄由此获得更高层次的知识,神话的本质在童话中重新定位,这一切都是一个简单的文学贴花,灵感来自于一个不知名的童话创作者在奇幻史诗中为贪婪的想象的观众?当然,不是这样。•在童话的层面上构建神话,通常非常接近古典神话;•在这个富有想象力的情节中投入象征性的意图;最后但并非最不重要的是,•特定禁令的普遍性,我相信我从字面上脱离了传统叙事任意性的领域,将其整合到(象征)意识的意向性中。
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Limba păsărilor în basmul fantastic românesc
The idea of a primordial language, spoken / understood by both man and animals, a secret language to be given by consecration / initiation only to the chosen one and which offers the initiate a higher type of knowledge, fascinated. Present in the myths, stories and literature of the world, such a language would represent „the key to access to the ancient memory of a culture and a civilization still largely unknown” (Ph. Walter). When approaching this subject, the specialists speak, without a doubt, of a prehistoric language, born and used long before the Indo‑European`s historical language: a language with a common heritage of archaic beliefs and conceptions, lost and later translated into cultural products such as this motif of the language of birds / animals, reminiscent of a magical thinking that fell into the (almost) fixed structures of the imagination. We have many cases in classical mythology in which this primordial language re‑com‑ poses the concrete, ideational universe of an original period, in which the fusion of meaning and significance is restored (Eve‑serpent dialogue mentioned by the Old Testament, Tiresias, Melampus for ancient Greece, Finn – Ireland, Taliesin – Wales etc.). The quorum of myths in the examples mentioned in this study is still amazing, rich, complex. The clairvoyance, the access of the pauper hero to a higher level of knowledge thanks to this initiation, the essence of the myth relocated in the fairy tale, are all these a simple literary decal, inspired by an anonymous fairy tale creator in the fantastic epic for a greedy imaginary audience? Certainly, not. • The construction of the myth at the level of the fairy tale, often very close to the classical myths; • Investing in this imaginative episode with symbolizing intent; last but not least, • The ubiquity of a specific interdiction, I believe I take this motive literally out of the realm of traditional narrative arbitrariness, integrating it into that of the intentionality of (symbolic) consciousness.
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