登上世界舞台

S. A. Crist
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引用次数: 0

摘要

本章关注戴夫·布鲁贝克四重奏的国际化。经过几年的初步讨论,1958年,该小组终于首次出国旅行,为期三个月,主要是在美国国务院的主持下进行的。到这个时候,四重奏的人员终于达到了稳定的状态,经过一系列不同的贝斯手和鼓手。“经典”四重奏是一群音乐家,他们在第二年录制了《Time Out》。大约在同一时间,布鲁贝克开始越来越多地参与民权问题。在20世纪50年代末,四重奏还在音乐厅和大学校园里表演爵士乐,创造了历史。最后,戴夫和伊奥拉·布鲁贝克孜孜不倦地致力于创作和推广《真正的大使》,他们希望这部音乐剧能在百老汇上演。
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Onto the World Stage
This chapter concerns the internationalization of the Dave Brubeck Quartet. After several years of preliminary discussions, in 1958 the group finally traveled abroad for the first time, on a three-month trip, largely under the auspices of the US State Department. By this time, the Quartet’s personnel finally reached a steady state, after a series of different bass players and drummers. The “classic” Quartet was the group of musicians who recorded Time Out the next year. Around the same time, Brubeck became increasingly involved with issues of civil rights. The Quartet also made history in the late 1950s by performing jazz in concert halls and on college campuses. Finally, Dave and Iola Brubeck devoted themselves tirelessly to the creation and promotion of The Real Ambassadors, a musical that they hoped would be produced on Broadway.
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