在托霍瓦特的小说《sabo je stav》中,短语作为一种叙事技巧

Marija M. Bradaš
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引用次数: 0

摘要

本文分析了胡瓦特小说《我在这里》(2014)中作为修辞工具和叙事技巧的短语。对ekphrasis的理解并不局限于对艺术作品的口头描述,但假设Horvat以同样的方式对待记忆,即来自过去的图像。小说的结构让人联想到一个电影片段,从个人和共同的过去中展开记忆。通过详细描述失去配偶所造成的创伤,并试图恢复她的生活,至少在文学上,作者唤醒了他们共同生活的记忆,以及在一个已不复存在的国家的共同过去。在比较艺术照片的语言描述和那些想象的、个人的照片时,特别强调了词汇的选择和互文性。
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EKPHRASIS AS A NARRATIVE TECHNIQUE IN THE NOVEL SABO JE STAO BY OTO HORVAT
This paper analyses ekphrasis as a rhetorical tool and a narrative technique in Oto Horvat’s novel Sabo je stao (2014). The understanding of ekphrasis is not limited to verbal descriptions of works of art, but it is hypothesised that Horvat treats memories, i.e. images from the past, in the same way. The novel’s structure is reminiscent of a film strip that unwinds memories from the personal and shared past. By elaborating the trauma caused by the loss of his spouse and trying to recover her life, at least in literature, the writer revives memories of their shared life and a collective past in a country that no longer exists. In the comparisons between the ekphrastic descriptions of the artistic photographs and those of the imaginary, personal photographs, particular emphasis has been placed on the choice of vocabulary and intertextuality.
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