音乐教师关键能力体系中的文化能力系统向量

Z. Tingting
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摘要

分析了文化能力的本质,认为文化能力是个体成功实现自我的关键因素之一。考虑到中国教育体系(以本文作者为代表)融入全球化教育和文化体系的趋势,考虑到包括乌克兰和中国在内的各国的科学和规范来源以及联合国教科文组织的文件。欧洲议会和欧洲委员会(2006年)的建议确定了八项能力,作为结论的指导性参考。本文的目的是建立文化能力的内容与其他关键能力之间的联系,这些能力将与专业能力相结合,系统地渗透到未来的音乐教师培训中。理论分析的方法,以及比较和并列的方法,被用于在文化和其他关键能力的背景下寻找联系点,这应该指导有系统的搜索和专业培训(无论具体的学科),并针对未来的专业活动。文化能力是与能力和文化的概念相比较的。指出了中国教育科学对这一定义的解释的特殊性,强调人文领域和灵性的首要作用。文化能力的内容与其他关键能力之间建立了联系,在未来音乐教师的培养过程中,文化能力和其他关键能力都要与专业能力一起系统形成。在关键能力体系中,文化能力起着形成体系的作用,是音乐专业教师培养的主要能力。艺术和艺术教育成为形成界定能力的关键因素。这些立场决定了专业音乐教师培养过程中文化能力的方法论载体。
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CULTURAL COMPETENCE METHODICAL VECTORS IN THE SYSTEM OF A TEACHER-MUSICIAN’S KEY COMPETENCES
The essence of cultural competence is analyzed as one of the key factors for the successful self-realization of an individual. Considering the tendencies of the Chinese education system (represented by the author of the article) toward integration into the globalized system of education and culture, scientific and normative sources of various countries, including Ukraine and China, and UNESCO documents were considered. Recommendations of the European Parliament and the Council of Europe (2006), which define eight competencies, serve as a guiding reference for conclusions. The purpose of the article is to establish links between the content of cultural competence and other key competences as those that systematically pervade future music teacher training in combination with professional ones. The methods of theoretical analysis, as well as the methods of comparison and juxtaposition, are applied to find points of contact in the context of cultural and other key competences, which should guide methodical searches and professional training (regardless of the specific discipline), and aim at the future professional activity. Cultural competence is considered in comparison with the concepts of competence and culture. The specificity of interpretations of the definition by Chinese pedagogical science, which emphasizes the primary role of the humanitarian sphere and spirituality, is pointed out. Connections between the content of cultural competence and other key competences are established since all of them should be systematically formed in the process of future music teacher training together with professional ones. It is confirmed that in the system of key competencies, it is the cultural one that plays a system-forming role and is the main one for professional music teacher training. Art and art education become key factors in the formation of the defined competence. These positions determine the methodological vectors of cultural competence in the process of professional music teacher training.
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