自由主义的特征与标志(以二十世纪初文学作品为例)

Y.A. Yeskermes, A.Zh. Zhaparova
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摘要

“魔法”是一个经常与魔法联系在一起的术语,它出现在各种形式的艺术表现中,包括文学、戏剧和视觉艺术。本文以普通小说的结构和构图为背景,从体裁和结构方面分析了“异质异质”,并以A.格林的作品《猩红的帆》、M.梅特林克的作品《蓝鸟》、Lesya Ukrainka的作品《森林之歌》为例进行了分析。在分析艺术作品的例子的基础上,在文学背景下对“fsamerie”的性质进行了全面介绍。本文的目的是揭示“fsamerie”的原创性及其在作品中的表现形式。以艺术作品的文本为基础,运用比较法和概括法对“怪诞”进行分析。特别注意了被认为是“fsamerie”的单独组成部分的人物、情况、争吵、形象。这些作品也反映了“幻梦”与其他类型(童话、神话、幻想)的互动和个人特质的融合。因此,通过对不同作品中“异类”特征的比较分析,我们可以确定确定“异类”类型的最重要标准。通过文本比较,可以看出20世纪初创作的文学“fsameries”的体裁性质,找出它们的共同特征和特点。研究结果表明,艺术作品中的“幻影”部分保留了其在戏剧领域中固有的属性。
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Characteristics and Signs of Féerie (Based on Examples of Literary Works of the Early XX century)
“Féerie” is a term often associated with magic that is found in various forms of artistic expression, including literature, theater and visual arts. The relevance of the article is characterized by the analysis of the “féerie” in the genre and structural aspect in the context of structure and composition in general fiction and on the examples of the works of A. Green “Scarlet Sails”, M. Maeterlinck “Blue Bird, Lesya Ukrainka “Forest Song”. On the basis of examples of works of art taken for analysis, a comprehensive presentation of the nature of the “féerie” in a literary context is carried out. The purpose of this article is to reveal the originality of the “féerie” and its manifestations in the work. Comparative and generalizing methods were used in the analysis of the “feerie” based on the texts of works of art. Special attention was paid to the consideration of characters, situations, quarrels, images that are considered separate components of the “féerie”. The works also reflect the interaction of “féerie” with other genre types (fairy tale, mythology, fantasy) and the integration of their personal qualities. Thus, a comparative analysis of the features of “féerie” in various works allowed us to identify the most important criteria for determining the genre of “feerie”. It was possible to show the genre nature of literary “féeries” written at the beginning of the XX century, to identify their common features and features through textual comparison. As a result of the research, it is concluded that the “féerie” in artistic works partially retains its properties inherent in the theatrical sphere.
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