大洛杉矶的酷儿空间建设:通过集体关怀重新构想城市自治

Jessennya Hernandez
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摘要

摘要本文分析了我称之为“政治创意者”的人的生活,以及他们如何通过一种酷儿和女权主义的集体关怀实践,重新构想大洛杉矶地区的空间制造和城市自治。本文从有色人种女性主义、有色酷儿批评和跨国女性主义三个方面介绍了菌根组合的概念。作为一种理论和分析工具,它从菌丝真菌链的地下网络中汲取灵感,概念化政治创意者如何通过建立相互联系的空间和培育当地酷儿、女权主义者、工人阶级、移民社区,利用他们的工作来引导他们日常的社会政治经济状况。根据民族志观察和对五位关键政治创意者的生活史访谈,本文讨论了一种根植于非正式空间和实践的菌根组合;亲密、信任和脆弱;反监视和反警务。我展示了这些空间如何不依赖于公共空间、同性恋社区、新自由主义国家和正式机构的可见性和代表性。相反,我认为,尽管它们是分散的、短暂的,但它们通过一种跨国的、奇怪的政治方式保持联系,即通过DIY实践来建立地方社区,为具体的创伤提供空间,并从制度和定居者-殖民地国家权力中剥离出来。本研究回应了城市研究和关于酷儿社区的话语的局限性,聚焦于政治创创者如何利用他们的跨国经验、亲密社区、具体的创伤和知识,为大洛杉矶地区的集体生存和未来奠定新的土壤。关键词:人种学拉丁人种批评城市研究有色人种女性女权主义感谢加桑·穆萨维博士给予我的慷慨和宝贵的支持和指导。作者报告无利益竞争需要申报。作者简介:jessennya Hernandez是伊利诺伊大学厄巴纳-香槟分校社会学和性别与妇女研究系的一名棕色西卡博士候选人。她目前的论文研究集中在工人阶级酷儿拉丁女性主义社区谁使用艺术和创造性的做法,以建立城市自治和集体关怀横跨大洛杉矶。她着眼于他们的具体知识和跨国空间如何培育相互联系的酷儿网络,并重新构想跨洛杉矶城市景观的政治实践和空间创造。她更大的研究兴趣包括性和性别;竞赛;有色人种女性主义;有色酷儿批判;交集;跨国女权主义;以及城市社会学。她更大的目标是强调酷儿形式的知识生产,并通过研究、教学和指导来提高黑人、土著和有色人种的兴趣。
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Queer space making across greater Los Angeles: reimagining urban autonomy through collective care
AbstractThis paper analyzes the lives of whom I call poli-creatives and how they reimagine space making and urban autonomy across greater Los Angeles through a queer and feminist praxis of collective care. Using women of color feminisms, queer of color critique, and transnational feminisms, this paper introduces the concept of mycorrhizal assemblages. As a theoretical and analytical tool, it draws from subterranean webs of mycelial fungal strands to conceptualize how poli-creatives use their work to navigate their everyday socio-political economic conditions by building interconnected spaces and nurturing local queer, feminist, working class, immigrant communities. Drawing on ethnographic observations and life-history interviews with five key poli-creatives, this paper discusses one kind of mycorrhizal assemblage rooted in informal spaces and practices; intimacy, trust, and vulnerability; and anti-surveillance and -policing. I show how these spaces do not depend on visibility and representation in public space, gayborhoods, nor the neoliberal state and formal institutions. Instead, I argue that although they are decentralized and ephemeral, they stay connected by a transnational and queer politics of local community building through DIY practice, holding spaces for embodied trauma, and divesting from institutional and settler-colonial state power. This study responds to the limitations within urban studies and discourses about queer communities by centering how poli-creatives use their transnational experiences, intimate communities, and embodied traumas and knowledges to lay down new soil for collective survival across greater Los Angeles and a future otherwise.Keywords: EthnographyLatinxsqueer of color critiquespaceurban studieswomen of color feminisms AcknowledgementsI am endlessly grateful for the generous and invaluable support and guidance of Dr. Ghassan Moussawi.Disclosure statementThe authors report there are no competing interests to declare.Additional informationNotes on contributorsJessennya HernandezJessennya Hernandez is a brown Xicana PhD candidate in the Sociology and Gender and Women’s Studies departments at the University of Illinois at Urbana-Champaign. Her current dissertation research focuses on working-class queer Latinx feminist communities who use art and creative practices to build urban autonomy and collective care across greater Los Angeles. She looks at how their embodied knowledges and transnational spaces nurture interconnected queer networks and reimagine political practice and space making across greater LA’s urban landscape. Her larger research interests include sexuality and gender; race; women of color feminisms; queer of color critique; intersectionality; transnational feminism; and urban sociology. Her larger goals are to highlight queer forms of knowledge production and elevate the interests of queer Black, Indigenous, and people of color through research, teaching, and mentorship.
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