流行歌曲翻唱版本风格归因安排的几个方面

Stepan Giga, Larysa Oparyk
{"title":"流行歌曲翻唱版本风格归因安排的几个方面","authors":"Stepan Giga, Larysa Oparyk","doi":"10.34069/ai/2023.68.08.24","DOIUrl":null,"url":null,"abstract":"The purpose of the research is to theoretically develop methods of characterisation and attribution of the style of arranging a pop-vocal composition. The algorithm of analytical actions in the process of auditory examination of the specifics of the musical language of the arrangement aimed at identifying the genesis of the style profile of a pop-vocal composition is determined. In this regard, the parameters of tempo rhythm and phonism are defined as the basic criteria for recognising the stylistic dominant of the instrumental component of a song genre composition. The research methodology is based on a comprehensive study of the creative specifics of pop-song arrangements using a systematic typological approaches, inductive and structural-functional methods of analysing musical compositions, and also includes a descriptive auditory method and a method of comparative stylistic characterisation of arrangements, carried out on the principle of contrasting comparisons or comparisons based on the similarity of creative methods of instrumentation, form formation, tempo rhythmic, melodic and thematic and harmonic organisation of the musical material of instrumental accompaniments, is a method of identifying the stylistic dominant (genesis) of a song genre work with a particular direction of popular, jazz, folk or academic music. The research resulted in the theoretical development of a methodology for style attribution of arrangements of cover versions of works of popular song genres.","PeriodicalId":500971,"journal":{"name":"Revista Amazonía investiga","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Aspects of style attribution arrangement of cover version of pop-vocal composition\",\"authors\":\"Stepan Giga, Larysa Oparyk\",\"doi\":\"10.34069/ai/2023.68.08.24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of the research is to theoretically develop methods of characterisation and attribution of the style of arranging a pop-vocal composition. The algorithm of analytical actions in the process of auditory examination of the specifics of the musical language of the arrangement aimed at identifying the genesis of the style profile of a pop-vocal composition is determined. In this regard, the parameters of tempo rhythm and phonism are defined as the basic criteria for recognising the stylistic dominant of the instrumental component of a song genre composition. The research methodology is based on a comprehensive study of the creative specifics of pop-song arrangements using a systematic typological approaches, inductive and structural-functional methods of analysing musical compositions, and also includes a descriptive auditory method and a method of comparative stylistic characterisation of arrangements, carried out on the principle of contrasting comparisons or comparisons based on the similarity of creative methods of instrumentation, form formation, tempo rhythmic, melodic and thematic and harmonic organisation of the musical material of instrumental accompaniments, is a method of identifying the stylistic dominant (genesis) of a song genre work with a particular direction of popular, jazz, folk or academic music. The research resulted in the theoretical development of a methodology for style attribution of arrangements of cover versions of works of popular song genres.\",\"PeriodicalId\":500971,\"journal\":{\"name\":\"Revista Amazonía investiga\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-10-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Amazonía investiga\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34069/ai/2023.68.08.24\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Amazonía investiga","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34069/ai/2023.68.08.24","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本研究的目的是从理论上发展流行声乐编曲风格的特征和归因方法。在对编排的音乐语言的细节进行听觉检查的过程中,分析行动的算法旨在确定流行声乐作品的风格概况的起源。在这方面,节奏、节奏和音位的参数被定义为识别歌曲类型组成的乐器成分的风格优势的基本标准。研究方法是基于对流行歌曲编曲创作特点的综合研究,使用系统的类型学方法、归纳和结构功能分析音乐作品的方法,还包括描述性听觉方法和编曲比较风格特征的方法,这些方法是根据对比比较或基于乐器创作方法相似性的比较原则进行的。形式形成,节奏节奏,旋律和主题和声组织的音乐材料的乐器伴奏,是一种识别风格主导(起源)的歌曲类型的工作与流行音乐,爵士,民间或学术音乐的特定方向的方法。研究结果导致了流行歌曲类型作品的翻唱版本安排的风格归因方法的理论发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Aspects of style attribution arrangement of cover version of pop-vocal composition
The purpose of the research is to theoretically develop methods of characterisation and attribution of the style of arranging a pop-vocal composition. The algorithm of analytical actions in the process of auditory examination of the specifics of the musical language of the arrangement aimed at identifying the genesis of the style profile of a pop-vocal composition is determined. In this regard, the parameters of tempo rhythm and phonism are defined as the basic criteria for recognising the stylistic dominant of the instrumental component of a song genre composition. The research methodology is based on a comprehensive study of the creative specifics of pop-song arrangements using a systematic typological approaches, inductive and structural-functional methods of analysing musical compositions, and also includes a descriptive auditory method and a method of comparative stylistic characterisation of arrangements, carried out on the principle of contrasting comparisons or comparisons based on the similarity of creative methods of instrumentation, form formation, tempo rhythmic, melodic and thematic and harmonic organisation of the musical material of instrumental accompaniments, is a method of identifying the stylistic dominant (genesis) of a song genre work with a particular direction of popular, jazz, folk or academic music. The research resulted in the theoretical development of a methodology for style attribution of arrangements of cover versions of works of popular song genres.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Electronic judiciary in Ukraine: Problems of implementation and possible solutions Using the folklore and poetry by Sergei Yesenin in Russian as a foreign language lessons: an online class Psychological features of training future social workers Factors influencing the effectiveness of proving criminal offences during trial The right to information from the point of view of legal theory, international law and international relations
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1