{"title":"制作图片:莱斯利·范伯格放映摄影系列中的残疾非二元实践","authors":"Joy Ellison","doi":"10.1353/wsq.2023.a910083","DOIUrl":null,"url":null,"abstract":"Abstract: This paper expands historical and theoretical engagements with Leslie Feinberg’s life by analyzing the nonbinary and disability politics of hir screened-in photography series. Through a consent-based method called “making” photographs, Feinberg challenged the conventions of photographic representation of disabled and transgender people. The screened-in series provides a nonbinary political/relational model of gender, sexuality, race, and disability.","PeriodicalId":37092,"journal":{"name":"WSQ","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Making Pictures: Disabled Nonbinary Praxis in Leslie Feinberg’s screened-in Photography Series\",\"authors\":\"Joy Ellison\",\"doi\":\"10.1353/wsq.2023.a910083\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: This paper expands historical and theoretical engagements with Leslie Feinberg’s life by analyzing the nonbinary and disability politics of hir screened-in photography series. Through a consent-based method called “making” photographs, Feinberg challenged the conventions of photographic representation of disabled and transgender people. The screened-in series provides a nonbinary political/relational model of gender, sexuality, race, and disability.\",\"PeriodicalId\":37092,\"journal\":{\"name\":\"WSQ\",\"volume\":\"5 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WSQ\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/wsq.2023.a910083\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WSQ","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/wsq.2023.a910083","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
Making Pictures: Disabled Nonbinary Praxis in Leslie Feinberg’s screened-in Photography Series
Abstract: This paper expands historical and theoretical engagements with Leslie Feinberg’s life by analyzing the nonbinary and disability politics of hir screened-in photography series. Through a consent-based method called “making” photographs, Feinberg challenged the conventions of photographic representation of disabled and transgender people. The screened-in series provides a nonbinary political/relational model of gender, sexuality, race, and disability.
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