印度的女儿:是时候让现实主义强奸纪录片退休了

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION CAMERA OBSCURA Pub Date : 2023-09-01 DOI:10.1215/02705346-10654927

Nandini Sikand

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引用次数: 0

摘要

这篇文章将历史人物Phoolan Devi(臭名昭著的“强盗女王”)与Jyoti Singh Pandey(2012年残酷轮奸的受害者)联系起来，后者同样成为新闻故事、电影、表演和电视剧的主题。Phoolan Devi是一名治安维护人，也是几篇文章、新闻故事、书籍和一部传记电影的主题。它考察了BBC委托拍摄的纪录片《印度的女儿》(印度导演)。Leslee Udwin, 2015)作为现实主义美学如何耸人听闻性侵犯的一个例子，产生一种旁观者的共谋，并且，在这种情况下，脚手架破坏性的文化叙事。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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India's Daughter: It Is Time to Retire the Realist Rape Documentary

Abstract This essay links the historical figure of Phoolan Devi, infamously known as the “Bandit Queen,” a vigilante and the subject of several articles, news stories, books, and a biopic, with the more recent figure of Jyoti Singh Pandey, the victim of a brutal gang rape in 2012, who similarly became the subject of news stories, films, performances, and a TV series. It examines the BBC's commissioned documentary film India's Daughter (dir. Leslee Udwin, 2015) as an example of how the aesthetics of realism can sensationalize sexual assault, engender a spectatorial complicity, and, in this case, scaffold damaging cultural narratives.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.