{"title":"关于绅士与世界对话的日期","authors":"María de las Nieves Muñiz Muñiz","doi":"10.1484/j.gsli.5.136835","DOIUrl":null,"url":null,"abstract":"This article proposes a new dating for Dialogo Galantuomo e Mondo, different from the date -June 1821- proposed by Giulio Augusto Levi in 1829 and reaffirmed by Ottavio Besomi in his critical edition of the Operette (1979). The arguments produced by the two scholars in defence of such an hypothesis are here questioned after carefully sifting through a series of concordances relating to the various phases in the development of Leopardi’s theoretical positions and a meticulous handwriting analysis of the autograph copy. These efforts made it possible to identify three distinct phases regarding the draft: the first involved the actual writing of the Dialogo (summer-autumn 1820); the second brought some additions to the text (summer 1821); and during the third phase a loose leaf was included with the manuscript (1823). Moreover, such a reconstruction sheds further light on the period in which Leopardi first began to compile the Operette in 1824.","PeriodicalId":42967,"journal":{"name":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","volume":"81 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sulla datazione del <i>Dialogo Galantuomo e Mondo</i>\",\"authors\":\"María de las Nieves Muñiz Muñiz\",\"doi\":\"10.1484/j.gsli.5.136835\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes a new dating for Dialogo Galantuomo e Mondo, different from the date -June 1821- proposed by Giulio Augusto Levi in 1829 and reaffirmed by Ottavio Besomi in his critical edition of the Operette (1979). The arguments produced by the two scholars in defence of such an hypothesis are here questioned after carefully sifting through a series of concordances relating to the various phases in the development of Leopardi’s theoretical positions and a meticulous handwriting analysis of the autograph copy. These efforts made it possible to identify three distinct phases regarding the draft: the first involved the actual writing of the Dialogo (summer-autumn 1820); the second brought some additions to the text (summer 1821); and during the third phase a loose leaf was included with the manuscript (1823). Moreover, such a reconstruction sheds further light on the period in which Leopardi first began to compile the Operette in 1824.\",\"PeriodicalId\":42967,\"journal\":{\"name\":\"GIORNALE STORICO DELLA LETTERATURA ITALIANA\",\"volume\":\"81 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GIORNALE STORICO DELLA LETTERATURA ITALIANA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.gsli.5.136835\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GIORNALE STORICO DELLA LETTERATURA ITALIANA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.gsli.5.136835","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
本文提出了《Galantuomo e Mondo对话》的一个新的日期,不同于1821年6月,这个日期是由Giulio Augusto Levi在1829年提出的,并由Ottavio Besomi在他的轻歌剧评论版(1979)中重申的。在仔细筛选了一系列与利奥帕尔迪理论立场发展的各个阶段有关的一致性,并对亲笔手稿进行了细致的笔迹分析之后,两位学者为捍卫这一假设而提出的论点受到了质疑。这些努力使得有可能确定关于草案的三个不同阶段:第一个阶段涉及实际编写对话(1820年夏秋);第二次(1821年夏)为文本增加了一些内容;在第三阶段,手稿(1823年)中加入了一张活页。此外,这样的重建进一步揭示了利奥帕尔迪于1824年首次开始编写轻歌剧的时期。
This article proposes a new dating for Dialogo Galantuomo e Mondo, different from the date -June 1821- proposed by Giulio Augusto Levi in 1829 and reaffirmed by Ottavio Besomi in his critical edition of the Operette (1979). The arguments produced by the two scholars in defence of such an hypothesis are here questioned after carefully sifting through a series of concordances relating to the various phases in the development of Leopardi’s theoretical positions and a meticulous handwriting analysis of the autograph copy. These efforts made it possible to identify three distinct phases regarding the draft: the first involved the actual writing of the Dialogo (summer-autumn 1820); the second brought some additions to the text (summer 1821); and during the third phase a loose leaf was included with the manuscript (1823). Moreover, such a reconstruction sheds further light on the period in which Leopardi first began to compile the Operette in 1824.