儒、道、佛思想对中国民间声乐的影响——以《诗经》歌曲表演为例

IF 0.6 3区 哲学 0 PHILOSOPHY Contemporary Buddhism Pub Date : 2023-09-21 DOI:10.1080/14639947.2023.2251962
Yinying Cai
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引用次数: 0

摘要

摘要本研究旨在探讨儒、道、佛对中国民间声乐的影响及其在现代音乐中的影响因素。研究方法基于描述性、比较性、解释性和统计分析(Spearman等级相关系数)。通过对《诗经》110首民歌中各主旋律组民歌声的分析,可以得出儒家、道教和佛教对《诗经》民歌声的影响最大。在分析过程中,我们确定关于爱情的民歌(0.942)和关于自然的歌曲(0.917)在流行歌曲的表演中表现出最明显的影响。研究结果表明,75%的与自然相关主题的民间声乐作品受到佛教的明显影响。研究结果使我们能够识别出《易经》中民间文学作品“故语”的典型演绎,这些演绎巧妙地适应了当代主题,在调查对象组#1(7.2)、#4(7.4)和#5(7.1)中达到了非常高的水平。这些值得称道的成绩归功于在演奏过程中保持了和谐的调性、准确的音准和艺术的表现。关键词:审美价值;民俗再现;母题;音乐文化;哲学传统;数据可用性声明数据可应要求提供。伦理批准本研究是按照世界医学协会赫尔辛基宣言在伦理上进行的。本研究已获得浙江师范大学地方伦理委员会的批准。高校现代教育技术在线与传统教育线下融合教学的探索(220605618130352)。作者简介蔡银英,浙江师范大学音乐学院副教授。兴趣包括中国文化、民族音乐和哲学。
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The Influence of the Ideas of Confucianism with the Ideas of Taoism and Buddhism on Chinese Folk Vocals: On the Example of the Performance of Songs from the Shi Jing (Book of Songs)
ABSTRACTThe research purpose is to investigate the influence of Confucianism, Taoism and Buddhism on Chinese folklore vocals and their elements in modern music. The research methodology is based on descriptive, comparative, interpretative and statistical analysis (Spearman’s rank correlation coefficient). The analysis of the folk vocals of each thematic group among 110 folk songs of the Shi Jing supports the argument that Confucianism, Taoism and Buddhism had the greatest influence on the vocals. During the analysis, it was determined that folk songs about love (0.942) and songs themed around nature (0.917) exhibit the most pronounced influence on their potential utilisation in the performance of popular compositions. The findings indicated that 75% of the folk vocal compositions with nature-related themes demonstrated discernible influences from Buddhism. The research findings have enabled the identification of exemplary renditions of the folkloric composition ‘Czo-yui’ from the ‘Book of Changes’, adeptly adapted to contemporary motifs, which were achieved at a notably high level within respondent groups #1 (7.2), #4 (7.4) and #5 (7.1). These commendable outcomes are attributed to the preservation of harmonious tonality, precise intonation and artistic expression during the performance process.KEYWORDS: Aesthetic valuesfolkloreintonation motifsmusical culturephilosophical traditionsthe Shi Jing Disclosure statementNo potential conflict of interest was reported by the author.Data availability statementData will be made available on request.Ethics approvalThe research was conducted ethically in accordance with the World Medical Association Declaration of Helsinki. The research was approved by the local ethics committees of Zhejiang Normal University.Additional informationFundingExploration on the hybrid teaching of modern educational technology online and traditional education offline in colleges and universities, No. 220605618130352.Notes on contributorsYinying CaiYinying Cai is an associate professor at the Academy of Music, Zhejiang Normal University, Jinhua, China. Interests include Chinese culture, folk music and philosophy.
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0.80
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7.10%
发文量
24
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