拾荒者的边缘生活:对社会的见证问题

IF 0.3 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY Contemporary Voice of Dalit Pub Date : 2023-09-30 DOI:10.1177/2455328x231198704
None Mohankumar S, None Srija V
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引用次数: 0

摘要

最近几天,泰米尔电影在全球范围内获得了广泛的营销和普及,通过其风格和技术获得了全世界的关注。评论家和研究人员强调并庆祝泰米尔电影最近的变化,称之为“新浪潮”。它准备在主题、叙事和人物塑造的选择方面进行调整。泰米尔电影成为表达受压迫人民心声的媒介。导演们指出了身份危机、家庭暴力和政治意识形态等问题。底层人民的问题和问题在泰米尔电影中被完全忽视,但现在他们反映了现实。《目击者》是其中一部讨论人工拾荒者痛苦的电影。这部电影不是一部情感剧;相反,它从不同的角度质疑社会。它描绘了拾荒者的生活、痛苦和挣扎。这部电影不仅提出了问题,而且还回答了具体问题。本文着重论述了古今两代主要反映拾荒者问题的文学作品。
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Marginalized Life of Manual Scavengers: Questions of Witness Towards Society
In recent days, Tamil cinema has reached a wide range in marketing and popularity across the globe, gaining attention around the world through its style and techniques. Critics and researchers highlight and celebrate the recent changes in Tamil cinema as the ‘New Wave’. It readies to change gears in the aspects of theme, narration and choice of portraying the characters. Tamil cinema became a medium to express the voice of suppressed people. Directors pinpoint issues such as identity crisis, domestic violence and political ideologies. The issues and problems of subaltern people were totally neglected in Tamil cinema, but now they reflect reality. Witness is one of the movies on that list that discusses the pain of manual scavengers. The movie is not an emotional drama; rather, it questions society from different perspectives. It depicts the lives, sufferings and struggles of manual scavengers. The film not only raises questions but also serves as an answer to tangible questions. This paper discusses and highlights the literary works that mainly torched out the problems of manual scavengers in the present and past.
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Contemporary Voice of Dalit
Contemporary Voice of Dalit SOCIAL SCIENCES, INTERDISCIPLINARY-
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