元代太仓港出土的高丽镶嵌青瓷

IF 2.6 1区 艺术学 Q2 CHEMISTRY, ANALYTICAL Heritage Science Pub Date : 2023-11-29 DOI:10.1186/s40494-023-01089-x
Dongxue Chang, Zhiqing Zhang, Xiaoshuang Li, Liangren Zhang
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引用次数: 0

摘要

镶嵌青瓷是高丽时期(公元918-1392年)产自朝鲜半岛的一种高级陶瓷。它在元朝(公元1279-1368年)作为贡品或贸易品被运往中国。在这项研究中,作者分析了最近在中国长江下游繁荣的元明太仓港发现的六个镶嵌青瓷样本。利用扫描电子显微镜、能谱仪(SEM-EDS)和x射线衍射仪(XRD)研究了这些样品的制备工艺和成分特征,以追踪其来源。瓷体由瓷石制成,釉料由瓷石和富含钙的助熔剂制成。这些样品中的白色镶嵌材料以高岭石为主,黑色镶嵌材料由高铁含量的石英或石英与高铁含量原料的化合物组成。结果表明,在太仓港发现的样品与江津郡Samhǔngni窑、扶安郡乌氏ǒlli窑和Chinsǒri窑有关联。这些窑炉生产的产品分几批运往中国。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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Koryŏ inlay celadon from Taicang Port of the Yuan Dynasty, China

Inlay celadon was a type of high-end ceramics of the Koryŏ dynasty (918–1392 AD) produced in the Korean Peninsula. It was conveyed to China during the Yuan dynasty (1279–1368 AD) as tribute or trade goods. In this study, the authors analyzed six samples of inlay celadon recently discovered at the prosperous Taicang Port of the Yuan and Ming dynasties in the lower Yangtze River, China. With scanning electron microscopy coupled with energy dispersive spectroscopy (SEM–EDS) and X-ray diffraction (XRD), the authors investigated the production technique, and compositional characteristics of these samples for the purpose of tracking their provenances. While the bodies are made of porcelain stone, the glazes are of porcelain stone and calcium-rich flux. The white inlay material in these samples is kaolinite-dominant, and the black one is made of quartz with high Fe content or a compound of quartz and raw materials with high Fe content. The results link the samples uncovered at the Taicang Port to the Samhǔngni Kiln in Kangjin-gun and the Uch'ǒlli and Chinsǒri Kilns in Buan-gun in Southern Korea. The products from these kilns were shipped to China in several shipments.

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来源期刊
Heritage Science
Heritage Science Arts and Humanities-Conservation
CiteScore
4.00
自引率
20.00%
发文量
183
审稿时长
19 weeks
期刊介绍: Heritage Science is an open access journal publishing original peer-reviewed research covering: Understanding of the manufacturing processes, provenances, and environmental contexts of material types, objects, and buildings, of cultural significance including their historical significance. Understanding and prediction of physico-chemical and biological degradation processes of cultural artefacts, including climate change, and predictive heritage studies. Development and application of analytical and imaging methods or equipments for non-invasive, non-destructive or portable analysis of artwork and objects of cultural significance to identify component materials, degradation products and deterioration markers. Development and application of invasive and destructive methods for understanding the provenance of objects of cultural significance. Development and critical assessment of treatment materials and methods for artwork and objects of cultural significance. Development and application of statistical methods and algorithms for data analysis to further understanding of culturally significant objects. Publication of reference and corpus datasets as supplementary information to the statistical and analytical studies above. Description of novel technologies that can assist in the understanding of cultural heritage.
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