{"title":"救赎马利亚，救赎耶稣","authors":"Matthew S. Rindge","doi":"10.1163/17455197-bja10017","DOIUrl":null,"url":null,"abstract":"This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, <jats:italic>The Last Temptation of Christ</jats:italic> both redeems Mary Magdalene and portrays her as a redeemer of Jesus.","PeriodicalId":51987,"journal":{"name":"Journal for the Study of the Historical Jesus","volume":"15 2","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2022-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Redeeming Mary, Redeeming Jesus\",\"authors\":\"Matthew S. Rindge\",\"doi\":\"10.1163/17455197-bja10017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, <jats:italic>The Last Temptation of Christ</jats:italic> both redeems Mary Magdalene and portrays her as a redeemer of Jesus.\",\"PeriodicalId\":51987,\"journal\":{\"name\":\"Journal for the Study of the Historical Jesus\",\"volume\":\"15 2\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for the Study of the Historical Jesus\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/17455197-bja10017\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for the Study of the Historical Jesus","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/17455197-bja10017","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, The Last Temptation of Christ both redeems Mary Magdalene and portrays her as a redeemer of Jesus.
期刊介绍：
The Journal for the Study of the Historical Jesus provides an international forum for the academic discussion of Jesus within the context of first-century Palestine. The journal is accessible to all who are interested in how this complex topic has been addressed in the past and how it is approached today. The journal investigates the social, cultural and historical context in which Jesus lived, discusses methodological issues surrounding the reconstruction of the historical Jesus, examines the history of research on Jesus and explores how the life of Jesus has been portrayed in the arts and other media.
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