{"title":"远程访问:瘸子的夜生活、艺术和技术科学","authors":"Aimi Hamraie, Kevin Gotkin","doi":"10.1162/leon_a_02489","DOIUrl":null,"url":null,"abstract":"Beginning in 2020, Kevin Gotkin spearheaded the virtual Remote Access disability nightlife events. Aimi Hamraie directs the Critical Design Lab and coined the term “crip technoscience.” Here, Hamraie interviews Gotkin about genesis of this disability arts and culture party into an ongoing experiment in critical access-making. They focus on the elements of artistic production, presentation, and exhibition that required crip technoscience interventions before and during the COVID-19 pandemic.","PeriodicalId":46524,"journal":{"name":"LEONARDO","volume":"51 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Remote Access: Crip Nightlife, Artistry, and Technoscience\",\"authors\":\"Aimi Hamraie, Kevin Gotkin\",\"doi\":\"10.1162/leon_a_02489\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Beginning in 2020, Kevin Gotkin spearheaded the virtual Remote Access disability nightlife events. Aimi Hamraie directs the Critical Design Lab and coined the term “crip technoscience.” Here, Hamraie interviews Gotkin about genesis of this disability arts and culture party into an ongoing experiment in critical access-making. They focus on the elements of artistic production, presentation, and exhibition that required crip technoscience interventions before and during the COVID-19 pandemic.\",\"PeriodicalId\":46524,\"journal\":{\"name\":\"LEONARDO\",\"volume\":\"51 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LEONARDO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/leon_a_02489\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LEONARDO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/leon_a_02489","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Remote Access: Crip Nightlife, Artistry, and Technoscience
Beginning in 2020, Kevin Gotkin spearheaded the virtual Remote Access disability nightlife events. Aimi Hamraie directs the Critical Design Lab and coined the term “crip technoscience.” Here, Hamraie interviews Gotkin about genesis of this disability arts and culture party into an ongoing experiment in critical access-making. They focus on the elements of artistic production, presentation, and exhibition that required crip technoscience interventions before and during the COVID-19 pandemic.
期刊介绍:
Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.