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引用次数: 0
摘要
作者与非营利录像艺术发行商和组织 Electronic Arts Intermix (EAI) 合作,寻找 EAI 收藏的录像作品反映残疾主题和/或参与字幕和音频描述等无障碍模式的方式。这项研究以及作者本人对动态影像作品中的概念和表演实践的兴趣,在很大程度上与实验性一词联系在一起,即使是那些抵制和挑战可读性本质的作品,也被定位为参与可访问性。这篇文章是作者首次尝试探索档案,以确定代表残疾(无论有意或无意)和/或呈现替代访问模式(无论有意或无意)的视频艺术作品,目的是为策展奠定基础,挖掘无障碍格式的可能性。
Experimental Modalities: Crip Representation and Access with Electronic Arts Intermix
The author in collaboration with Electronic Arts Intermix (EAI), a non-profit video arts distributor and organization, partner to find ways in which videos in EAI’s collection may reflect upon themes of disability and/or engage modes of access like captioning and audio description. This research and the author’s own interest in conceptual and performance practices found in moving image works that have broadly been tethered to the word experimental, have been situated to engage with accessibility even for the works which resist and challenge the very nature of legibility. This essay acts as the authors first attempt to explore an archive to identify video artworks that represent disability (whether deliberately or not) and/or present alternative modes of access (whether deliberately or not) with the intent of laying a groundwork for curations that tap into possibilities within accessibility formats.
期刊介绍:
Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.