危险还是处境危险?

Mathuri Sivanesan
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引用次数: 0

摘要

丽贝卡-霍尔(Rebecca Hall)于 2021 年改编自内拉-拉尔森(Nella Larsen)的《逝去》(Passing),在视觉语境中确立了安全主题,审视了黑人在白人和黑人空间中的身体体验。霍尔运用灰度灯光、声音和非声音,以及最重要的省略,突出了黑人在白色空间中的意义。同样,拉尔森的故事拒绝了黑人安全的可能性,不管一个人是否可以冒充白人,霍尔的电影方法揭示了克莱尔这个角色既危险又时刻处于危险之中。霍尔通过控制观众可以看到的内容,提出了一种新发现的叙事方法,以拒绝美化黑人创伤的方式直面黑人暴力,同时也展现了黑人仅仅因为身体存在而面临的危险。
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Dangerous or in Danger?
Rebecca Hall’s 2021 adaptation of Nella Larsen's Passing, establishes themes of safety in a visual context,  examining the Black bodily experience in both white and Black spaces. Hall's use of greyscale lighting, diegetic & non-diegetic sounds, and, most importantly, omission, spotlights what it means to be Black in white space. In the same way Larsen’s story rejects the possibility of ever being safe as a Black person, regardless of whether one can pass as white or not, Hall's cinematic methodology reveals the character of Clare as both dangerous and yet always in danger. Controlling what the viewer is allowed to see, Hall presents a newfound method of storytelling that confronts Black violence in a manner that rejects the glorification of Black trauma, while also presenting the dangers Black persons face from merely existing in their body. 
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